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Isaki Uta’s Highly Anticipated Doujinshi Collection | Exclusive Interview

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Isaki Uta is a talented manga artist renowned for their captivating artwork and captivating storytelling. They have gained recognition for their masterpiece, Mine-kun is Asexual, which fans have warmly received worldwide.

Isaki Uta’s stories explore personal identity and the challenges of navigating a society that may not readily accept or even understand those who are “different.” In addition to their commercial manga works, such as Is Love The Solution? published by Kodansha, Uta has also created remarkable doujinshi, including titles like Leaper and Silkscreen. Their unique storytelling style and LGBTQ+-focused narratives have made them a beloved figure in the manga community.

Irodori Comics has recently announced the launch of the Kickstarter campaign for “Isaki Uta: The Lost & Found Collection” showcasing the remarkable works of Isaki Uta. Published in the United States by Kodansha, Isaki Uta’s stories delve into individuals’ complex journeys and personal struggles as they explore and embrace their gender and sexual identities.

This collection allows a broader audience to appreciate the artistic brilliance and emotional depth of Isaki Uta’s writing and art.

The Kickstarter launch page for “Isaki Uta: The Lost & Found Collection” is now available. Don’t miss out on this opportunity to delve into four of Isaki Uta’s most acclaimed stories by visiting the official Kickstarter page. Story synopsis are as follows,

Mine-kun is Asexual

(Preview below)

In “Mine-kun is Asexual,” Mine doesn’t like sexual intimacy in a relationship. He can kiss a girl, but it’s not something he wants to do if he can help it. But Murai loves him so much that she’s willing to overlook the fact that she can’t hold his hand; that she can’t cuddle up next to him when they watch movies together; that she can’t fall in love with him the way that she hopes to be loved in return. In the eyes of those around them, is this even a relationship that’s meant to last, or is it a train wreck just waiting to happen?

Leaper

Leapers—individuals who were born on February 29th that age at a rate four times slower than that of a normal person and can live for over 300 years. Mio Aono is one of these leapers and like many, experiences all the emotions that come with living beyond the normal, mortal lifespan. This story won an honorable mention in the Monthly Afternoon Magazine Manga Competition and jumpstarted Isaki Uta’s career! Originally published in 2008, this landmark work has been updated and re-released as a doujinshi and localized in English for fans to enjoy.

Mermaid in the Bottle

Takeru has always felt like another cog in the wheel of corporate society, but things take a strange turn when he and his sister discover a mermaid inside a cosmetic lotion bottle. Memories of childhood; a brother and sister separated in the aftermath of a failed marriage; corporate money disappearing off the ledgers… Mermaid in the Bottle is Isaki Uta’s tour-de-force first foray into self-publishing and features a unique story looking into the bitter-sweet relationship of a brother and sister with a shared, troubled past.

Silkscreen

A girl falls in love and devotes herself to them, but they don’t conform to her expectations, perhaps because she looks at them through a blurry curtain. Silkscreen touches on a bittersweet romance between a lesbian and a genderqueer individual, who later comes out as a trans man. Those familiar with Isaki Uta’s previous works like Mermaid In The Bottle, Leaper and Mine-kun is Asexual, will know that the author has a unique style of storytelling that leaves a lot to the reader’s interpretation. Silkscreen is a bittersweet story that briefly explores the concepts of identity, rejection, and acceptance.

Isaki Uta’s works are gems in the world of Japanese LGBTQ+ comics,[. . .] The relationships between characters aren’t cookie cutter and show the rawness and intensity of discovering one’s sexuality and gender identity. It makes queer individuals like myself feel seen and that these kinds of stories are worth telling.” 

– ITSUKI, Irodori Comics Translator via Press Release

Isaki Uta added,

“I put my heart and soul into drawing these stories, so I hope you enjoy them!”

Isaki Uta via Press Release

TO GO NEXT PAGE FOR AN EXCLUSIVE INTERVIEW WITH ISAKI UTA

Interview With Keisuke Uyama | Love Like The Falling Petals

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Keisuke Uyama’s Bestselling Novel Love Like the Falling Petals to receive its very first English translation. The novel, initially published by Shueisha in 2017, captivated a nation with its exploration of the beauty and pain of young love, as two souls are brought together by fate, only to be torn apart by circumstance. The novel went on to receive a Netflix adaptation in 2022, starring Kento Nakajima and Honoka Matsumoto.

The novel’s English translation is provided by Terry Gallagher, cover by artist Heikala, and variant covers by LAL!ROLE and Cheseely. Its beautiful cover art is the prefect combination to this beautifully written and emotionally charged novel, which is primed to connect with a new international audience.

Full Cover By Heikala

Interview With Keisuke Uyama

In our last article, we interviewed Tokyo-based artist, Heikala about their creative process creating the novel’s cover. This time, we had the wonderful opportunity to ask Keisuke Uyama himself, about his popular novel,

Krystal: This is probably a question you get asked often; however, where did the inspiration to write this novel come from?

Uyama: When I was 20 years old, I came up with the outline of a story while walking down the hallway of my university: The fate of “aging” is a fate that humans can’t stop. At that time, I came up with the general content of this work, which is a love story between a heroine who has been aging ten times faster than normal people and a young man who loves her. This is the story I hoped to write if I could become a writer one day. After about 15 years, I was finally able to write it.

K: What’s the meaning of the title? Why did you choose cherry blossoms for the cover?

Uyama: In Japan, the title is called “My Lover Like Cherry Blossoms.” Cherry blossoms are a special flower for the Japanese, and the ephemeral appearance of them, which is often scattered in a blink of an eye, is likened to life. Since that matches the content of this work, I gave it that title. However, that may be a feeling particular to Japanese people, so when I made it into a movie on Netflix, I chose “Love Like the Falling Petals,” which is easier to imagine, considering it would be seen by people all over the world. As for the cherry blossoms on the cover, I think Heikala actually read this work and depicted that world.

K: This story has no typical happy ending; why did you choose this ending?

Uyama: The lives of the characters continue even after the novel ends. How will they live after this story? I wanted to close the curtain leaving such a lingering impression. I myself still sometimes think, “What are they doing?” I would be happy if the readers would think about their future after reading this work.

K: For those who are unfamiliar with the novel, would you recommend reading the novel or watching the Netflix series, and how do these mediums differ from each other story-wise?

Uyama: That’s a tough question. As the original author, I would like to say, “I would love for you
to start with the novel!” but I think that each has its merits. If you watch the movie then read the novel, you’ll get a deeper sense of the characters, such as “What were they thinking in that scene?” If you read the novel first, the characters are as you imagine them. You can enjoy your own “love like falling petals” with them. And if you read the book and then watch the movie, you will be able to enjoy the difference between the world you imagined and the world of the movie.

Support Keisuke Uyama’s Novel

To bring this new English translation of the novel, Media Do International and Clover Press are partnering together with publisher Shueisha for a Kickstarter campaign for the first-ever English publication of the book. The Kickstarter went live earlier this week, and in less than 24 hours, it reached its goal of $2,500. Kickstarter rewards for this project are still available and you can support the novel by pledging here

“At Clover Press, we’re all about trying new genres, formats, and ways to get great books that we love into people’s hands,” said Clover Press Publisher Hank Kanalz. “Love Like the Falling Petals”is no exception and is a great example of Clover Press’s plans to expand into bringing quality international material to North America.”

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