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Goodbye, Lara Director Takushi Koide Reimagines The Little Mermaid for Modern Japan | INTERVIEW

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The director discusses building Kinema Citrus’ original anime from scratch, grounding Lara’s journey in Shiga Prefecture, and why the title carries a deeper meaning.

What if a mermaid’s fairy tale began again roughly 200 years later, not in the ocean but in Lake Biwa?

That striking idea sits at the heart of Goodbye, Lara, an original Japanese television anime created and animated by Kinema Citrus. The series places its mermaid heroine in modern-day Japan, blending a familiar fairy-tale foundation with the landscapes of Shiga Prefecture and a personal story about leaving one world behind to enter another.

Director Takushi Koide

In an interview with The Kitsune Network’s Krystal, director Takushi Koide discussed the creative freedom of building an original anime, the challenge of translating a centuries-old story for today’s audiences, and the real-life emotions he placed at the center of Lara’s journey.

©Kinema Citrus/Goodbye Lara PARTNERS

An Original Anime Built From Zero

For Koide, Goodbye, Lara carries another layer of significance: it marks his first major project as a director.

Goodbye, Lara is a rare opportunity because it is a completely original anime,” Koide explained.

As a fully original production, the project gave Koide and the team the chance to shape the story, visuals, and even the way the anime uses time from the ground up. For Koide, that freedom was not simply permission to make bigger creative choices. It was an opportunity to give each part of the production the attention it deserved.

“I have always wanted to treat every element of an anime with great care, whether it is the background art or the animation itself.”

Koide hopes viewers can feel the love and craftsmanship behind the series. More importantly, he wants audiences to experience the story through Lara’s eyes and discover Shiga Prefecture alongside her.

Reimagining The Little Mermaid for Today’s Audience

Although adapting the concept of The Little Mermaid might sound intimidating, Koide said that part was actually fun. The real challenge was bringing a fairy tale written in the 1800s into a modern setting with themes that feel relevant today.

“We also needed to develop an aesthetic unique to this work and communicate it to the audience through the visuals,” he said.

That meant Goodbye, Lara could not simply relocate a familiar story to Japan. The team needed a clear visual identity capable of making its fairy-tale roots and contemporary setting feel like parts of the same world.

Lara’s Journey Began With Koide’s Own

The most personal inspiration behind the anime came from Koide’s own life. He explained that he left Shiga Prefecture, where Goodbye, Lara is set, and moved to Tokyo alone to begin his career.

“When I created Lara, I gave her some of the same feelings I had when I moved to Tokyo. She leaves the world of mermaids and enters the human world.”

That experience gave Lara’s transition an emotional foundation beyond the fantasy premise. Her journey from the mermaid world into the human world reflects the uncertainty of leaving a familiar place, crossing a boundary, and trying to understand life somewhere new.

“To me, this is a story about someone who crosses a boundary and moves into another world,” Koide said.

Even Creative Freedom Needs Rules

Animation can depict almost anything, but Koide views that unlimited canvas as both a strength and a potential trap. Without a consistent approach, a world that combines fantasy and modern Japan could quickly become confusing.

“If you try to depict everything, the result can become confusing or messy,” Koide explained. “As part of our directing approach, we established certain rules for how this particular work would express its ideas so that everyone shared the same direction.”

Viewers may initially be surprised by the combination of a fairy-tale world and a Japanese setting. Once production began, however, Koide said those elements did not feel as far apart to the team as they might appear. He believes audiences will understand that connection once they watch the anime.

©Kinema Citrus/Goodbye Lara PARTNERS

What Does Goodbye, Lara Really Mean?

Of course, a title like Goodbye, Lara immediately raises one important question: Who, or what, is saying goodbye?

When Krystal asked whether the title should be taken literally or carried a deeper meaning, Koide remained careful not to reveal too much.

“I cannot say too much without spoiling the story, but the title does have a deeper meaning. It connects to the overall concept behind the work.”

That spoiler-free tease makes the title part of the mystery. Whatever Lara must leave behind, Koide wants viewers to discover its meaning by following the world from her perspective.

Goodbye, Lara is shaping up as more than a modern retelling of a familiar fairy tale. It is a personal journey constructed with intention, where Lake Biwa can feel as magical as any storybook ocean and crossing into another world may only be the beginning. For anime fans drawn to original worlds and creator-driven stories, Lara’s next life is one worth watching closely.

This article is based on The Kitsune Network’s interview with director Takushi Koide. Interview responses have been lightly edited for clarity.

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Kinema Citrus Marks 15th Anniversary With Original Anime Goodbye, Lara, Premiering July 2026

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Japanese animation studio Kinema Citrus will celebrate its 15th anniversary with the premiere of its original anime project Goodbye, Lara, scheduled to debut in July 2026, KADOKAWA announced .

The announcement was accompanied by the release of the series’ main promotional video, offering a first look at the fantasy drama and its distinctive visual style .

©Kinema Citrus/Goodbye Lara PARTNERS

Inspired by the classic fairy tale The Little Mermaid, the story reimagines the familiar legend in modern Japan while blending magical elements with everyday life.

A Mermaid Princess Returns to the Surface

The series follows Lara, a mermaid princess voiced by Hana Hishikawa, who resurfaces in modern-day Shiga Prefecture after two centuries . There she encounters high school student Mari Otsu, voiced by Nana Kawaishi, and the two begin a journey that explores friendship, identity and the search for true love.

According to the promotional material, the narrative moves between past and present. Two hundred years earlier, Lara fell in love with a human prince despite the strict laws of the mermaid world. In pursuit of that forbidden love, she drank a potion given by a witch named Grace that allowed her to take human form. When her love ultimately went unfulfilled, she dissolved into sea foam.

Now revived in Lake Biwa centuries later, Lara is given another opportunity to find the “true love” that once eluded her .

The series juxtaposes ordinary settings — including supermarket aisles, quiet streets and railroad crossings in Shiga Prefecture — with the extraordinary presence of Lara, creating a grounded yet fantastical atmosphere.

©Kinema Citrus/Goodbye Lara PARTNERS

U.S. Premiere Planned at Anime Central

Ahead of its global release, Episode 1 of Goodbye, Lara will receive a U.S. premiere screening at Anime Central, presented in partnership with KADOKAWA, Newtype magazine and Kinema Citrus .

The event will feature appearances from director Takushi Koide, KADOKAWA producer Sayaka Ueda, and Newtype deputy editor Momoko Hatooka, offering fans an opportunity to hear insights about the project directly from its creative team.

Koide, a native of Shiga Prefecture, makes his directorial debut with Goodbye, Lara. He previously served as assistant director on Revue Starlight and contributed to Made in Abyss: The Golden City of the Scorching Sun .

A Milestone Project for Kinema Citrus

Founded in 2008, Kinema Citrus has built an international reputation through acclaimed titles including Made in Abyss, My Happy Marriage, The Rising of the Shield Hero, and Revue Starlight .

Goodbye, Lara represents a milestone for the studio as a fully original project created specifically to commemorate its 15th anniversary.

The production staff includes series composition by Anna Kawahara, character design by Shiori Tani, and music by yuma yamaguchi, with animation produced by Kinema Citrus.

With its blend of fairy-tale inspiration, contemporary Japanese settings and emotional storytelling, Goodbye, Lara aims to deliver a modern reinterpretation of a classic tale while celebrating the studio’s creative legacy.

The anime is scheduled to premiere in July 2026.


Synopsis:

Once upon a time, there was a mermaid princess named Lara.
She grew up loved by her father, the King of the Sea, and her sisters.
One day, Lara fell in love with a human prince living on land.
It was a forbidden love, not permitted in the world of mermaids.
Even so, Lara set out for the surface.
She drank a potion given to her by the witch Grace and took on a human form.
However, it was a taboo potion.
Unless she found “true love,” she would turn into bubbles and disappear.
Though she was a mermaid princess, Lara desired love with a human.
But—her wish did not come true, and she turned into bubbles and disappeared into the sea.
200 years later.
After a long passage of time, the mermaid princess Lara is revived in Lake Biwa.
This time, to find “true love”—

Staff:

Director: Takushi Koide
Series Composition: Anna Kawahara
Character Designer: Shiori Tani
Music: yuma yamaguchi
Original Story, Animation Studio: Kinema Citrus

Japanese Voice Actors:
Lara: Hana Hishikawa
Mari Otsu: Nana Kawaishi
Grace: Rica Fukami
Luca: Ayumu Murase

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