Category Archives: Anime Music

Hypnosis Mic Breaks New Ground With Interactive Division Rap Battle Movie

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The multimedia franchise HYPNOSISMIC -Division Rap Battle- is expanding the boundaries of anime exhibition with the release of Hypnosis Mic: Division Rap Battle Interactive Movie, a feature-length production that allows audiences to determine the outcome of its central rap battles in real time.

Launched in 2017 by King Records as a character-driven rap music project, Hypnosis Mic evolved into a cross-platform property spanning CDs, manga, stage adaptations and the television anime Hypnosis Mic: Division Rap Battle: Rhyme Anima. Set in a dystopian future where traditional weapons are banned, territorial disputes are resolved through lyrical combat using “Hypnosis Mics,” devices that amplify the psychological force of rap.

© King Record Co., Ltd. All rights reserved.

Within the narrative, divisions representing Tokyo districts compete under the authority of the Party of Words, a female-led governing body. Each team blends distinct musical styles with character-driven storylines centered on identity, rivalry and personal history. Prominent divisions include Buster Bros!!! (Ikebukuro), MAD TRIGGER CREW (Yokohama), Fling Posse (Shibuya) and Matenro (Shinjuku).

© King Record Co., Ltd. All rights reserved.

The interactive film marks the franchise’s most experimental installment to date. Rather than presenting a fixed narrative, the production integrates live audience voting at key battle moments. Viewers cast ballots via the CtrlMovie mobile application, and the story branches according to the majority decision in the theater.

HYPNOSISMIC -Division Rap Battle- Interactive Movie ©HYPNOSISMIC -Division Rap Battle- Movie © King Record Co., Ltd. All rights reserved.

According to production information from Polygon Pictures and Kino Industries, the film contains five voting sequences per screening, resulting in 48 possible narrative paths and seven distinct endings. U.S. listings indicate a runtime of 106 minutes.

The model builds upon Hypnosis Mic’s history of fan participation. Previous real-world Division Rap Battle tournaments have incorporated voting systems tied to CD sales and digital campaigns. By embedding collective decision-making directly into the cinematic structure, the interactive movie formalizes that participatory ethos on the big screen.

Industry observers note that the film arrives as studios explore new theatrical incentives amid the dominance of streaming platforms. By combining concert-style performance energy with branching narrative design, Hypnosis Mic: Division Rap Battle Interactive Movie blurs the distinction between spectator and participant.

Voting Guide

Our Interactive Cinema Experience

We had an opportunity to attend a screening of Hypnosis Mic: Division Rap Battle this week at Regal L.A. LIVE in downtown Los Angeles. Our familiarity with the HYPNOSISMIC -Division Rap Battle- franchise was limited however, knowing the film was designed as an interactive experience heightened our anticipation and curiosity about how the format would function in practice.

Regal L.A. LIVE in downtown Los Angeles

The screening opened with a QR code on the theater screen that prompted viewers to download the CtrlMovie app, which is used for real-time voting. After that brief setup, the film introduced each character and division, giving newcomers a clear overview of the competing teams. The opening sequence ended with a performance of “Hypnosis Mic -Division Battle Anthem-” by Division All Stars, setting the tone for the Final Division Rap Battle at the center of the story.

One standout element was the English-language master of ceremonies. The MC’s delivery felt energetic and authentic, adding credibility to the competitive atmosphere and reinforcing the film’s live-concert feel.

Audience participation takes place after each battle. Viewers do not decide who goes first, but once a rap showdown ends, they have about 15 seconds to vote in the app for the division they believe performed best. Each vote determines which story branch plays next. There are five total voting rounds, all leading toward a climactic final battle involving the all-female unit KOTONOHATOH.

At our screening, the audience appeared to choose what could be considered the “canonical” ending—though in a franchise built on audience choice, that idea remains flexible. Even with limited prior knowledge of the series, the experience was easy to follow and highly engaging.

The screening ended on an enthusiastic note. The immersive format and high-energy performances left us eager to revisit the film during its official run beginning Feb. 27—this time with a light stick in hand.

Achievements and Digital Collectibles

The interactive experience extends beyond the theater. The CtrlMovie app includes optional account-based tracking. Viewers who create accounts can log their voting history, unlock achievements and collect digital items tied to viewing milestones. Without an account, vote data and ending results are not saved.

This gamified retention design encourages repeat attendance and alternate route exploration, strengthening the film’s replay value and aligning with the franchise’s competitive roots.

HYPNOSISMIC -Division Rap Battle- Movie © King Record Co., Ltd. All rights reserved.

A Franchise Built on the Power of Words

At its core, HYPNOSISMIC -Division Rap Battle- centers on the concept that language itself is a weapon. Lyrics serve as strategy, persuasion is power and self-expression determines victory. The interactive format amplifies that philosophy by granting audiences tangible influence over the narrative outcome.

While the full scope of participatory screenings has primarily launched in Japan, international interest continues to grow following the global reach of Rhyme Anima. If similar interactive infrastructure expands overseas, the project could signal a broader shift in how anime films are structured and experienced.

Trailer

For ticket information and participating theaters, readers can visit GKIDS’ official listing page.

Special Thanks

We would like to extend our sincere thanks to GKids for the screening opportunity and create this feature highlighting this unique, anime film experience. As anime continues to connect audiences worldwide, collaborations like these help bring fans closer to the voices shaping the stories they love.

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Mori Calliope Drops Explosive Music Video for Gachiakuta’s Second Cour Opening “LET’S JUST CRASH”

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Hololive’s rap queen Mori Calliope has officially released the music video for “LET’S JUST CRASH” — the high-energy opening theme for the second cour of the hit anime Gachiakuta. The track showcases Calliope’s signature bilingual lyricism, fusing sharp English-Japanese wordplay with thunderous beats and attitude.

Directed by Yohei Kameyama, best known for Milky☆Subway: The Galactic Limited Express, the music video is a fast-paced visual spectacle, blending razor-sharp editing with stylized animation to match Calliope’s explosive performance.

“From the first time I heard ‘LET’S JUST CRASH,’ its explosive energy hit me like a powerful drug,” Kameyama said. “I’m extremely grateful to have been part of the production and put a lot of thought into expressing the track’s captivating sound visually.”

– via press release

The project also marks Mori Calliope’s first fully 3D-animated music video, produced by Kanaban Graphics, the acclaimed studio behind Usavich. The result is a kinetic, vividly stylized world that amplifies Calliope’s unique musical identity — a blend of idol charisma, street-style rap, and J-pop theatricality.

Song Details

  • Title: LET’S JUST CRASH
  • Anime: Gachiakuta (Second Cour Opening Theme)
  • Director: Yohei Kameyama
  • CG Production: Kanaban Graphics (Usavich)
  • Listen on streaming: lnk.to/mc_ljc

Connect with Mori Calliope

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TRIGGER from Idolish7 Announces 3rd Album Trois, Featuring New Tracks and Special Editions

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TRIGGER, the popular unit from Idolish7, is set to release their highly anticipated third original album, Trois, on March 12, 2025. This new album follows the grand concept of “Lueur des Trois” (The Light of Three) and is divided into three distinct movements: Origine, Passion, and Scène. The album’s structure invites listeners to explore the group’s journey, passion, and growth through an immersive symphonic experience.

Trois includes standout tracks such as the emotional and progressive dance piece Triple Down, produced by Ryo Takahashi, with seductive lyrics by multi-artist R・O・N. Another highlight is Sol, an innovative electronic track composed by Taiki Kudo of Da-iCE. The album offers a unique blend of genres and emotions, celebrating TRIGGER’s musical evolution.

©Idolish7 CD:Arina Tanemura

For those looking for something extra special, the limited first edition of Trois comes with a bonus CD featuring Suites pour violon seul “Trois”, a violin suite that intertwines themes from the three movements. It also includes a self-remix of Triple Down, titled Triple Down -VC’s ‘Hermetic Art’ UKG Remix-. The limited edition also includes an original acrylic stand featuring artwork by manga artist Arina Tanemura.

Album Details:

  • Release Date: March 12, 2025
  • Limited First Edition: ¥8,470 (incl. tax)
    Includes: CD, Bonus CD, Lyrics Booklet, Acrylic Stand, and Storage Box
  • Standard Edition: ¥3,850 (incl. tax)
    Includes: CD, Lyrics Booklet

Track List:

  • Prelude: Lueur des Trois – Origine (Instrumental)
  • PLACES
  • SOL
  • Triple Down
  • Smile Again
  • KISS IN THE MUSIC
  • Plus more…

Bonus CD (Limited First Edition Only):

  • Suites pour violon seul “Trois” – Origine (Instrumental)
  • Triple Down -VC’s ‘Hermetic Art’ UKG Remix-
©Idolish7 CD:Arina Tanemura

The jacket visual for both editions of Trois features newly drawn artwork by Arina Tanemura, adding a personal touch for fans of the Idolish7 franchise.

Fans can check out the teaser trailer for Trois here and find the album available for streaming and download via this link.

Official Websites:

Don’t miss out on Trois, the latest chapter in TRIGGER’s musical journey!

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Masami Okui to Release NEW Single After 8 Years, Featuring Bonjour Suzuki | Anime OP

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Iconic Japanese singer Masami Okui is set to release her first single in nearly eight years, Baby Baby Baby, on April 23, 2025, under the Lantis label. The track marks a significant return for the artist, who has been a major figure in the anime music scene for decades. This highly anticipated single will serve as the opening theme for the upcoming TV anime Please Put Them On, Takamine-san, which premieres in April 2025.

About Please Put Them On, Takamine-san,

The brand new trailer above, gives fans a preview of the opening and ending theme songs: “Baby Baby Baby” by Masami Okui featuring Bonjour Suzuki and “Hightail it” by Makoto Furukawa.

Based on the manga by Yuichi Hiiragi, Please Put Them On, Takamine-san is directed by Tomoe Makino, known for Aharen-san wa Hakarenai, at studio LIDEN FILMS. The series is written by Yu Sato, best known for TONIKAWA: Over The Moon For You, with character designs and chief animation direction by Ryo Yamauchi and Maya Ito. Music for the series is composed by Takeshi Nakatsuka, who previously worked on My Dress-Up Darling.

Fans can look forward to the hilarious antics of this ecchi comedy as it unfolds in Japan on April 2, 2025.

Baby Baby Baby OP

The lead track, Baby Baby Baby, is a collaboration between Okui and Bonjour Suzuki, blending Okui’s powerful vocals with Suzuki’s playful, coquettish singing style. Fans can look forward to a catchy and dynamic opening theme that perfectly captures the essence of the anime.

The single will also feature a coupling track written by R・O・N, showcasing a cooler, more reserved side of Okui’s vocal range. The contrast between the two tracks is expected to highlight Okui’s versatility as an artist, offering fans a diverse listening experience.

This release will come in two editions: a limited first-edition 8 cm single, featuring exclusive artwork for Please Put Them On, Takamine-san and a new photo of Okui, evoking the charm of her classic releases, and a standard 12 cm edition. Both versions will include off-vocal versions of the tracks, making them a must-have for both music lovers and collectors.

Single Details:

Okui, known for her past theme songs for iconic anime such as Slayers and Revolutionary Girl Utena, has also contributed her talents to the popular anime music collective JAM Project. With Baby Baby Baby, she continues to showcase her enduring influence in the anime music world.

For more information, visit her official websites:

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Mori Calliope’s Frist SOLOLIVE “Grimoire” Rocks LA | Special Interview with Calliope

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COVER Corporation recently brought the vibrant world of hololive English to Los Angeles with a special pop-up store at the Beverly Center, which operated from February 5th through February 27th, 2025. This first ever, U.S. hololive shop offered fans exclusive merchandise and served as a prelude to Mori Calliope’s “Grimoire” concert at the Hollywood Palladium on February 26th.

The pop-up store featured a variety of themed merchandise, including Valentine’s Day items showcasing talents like Takanashi Kiara, Ouro Kronii, Nerissa Ravencroft, and Elizabeth Rose Bloodflame. Fans had the opportunity to purchase keychains, acrylic standees, apparel, and Mori Calliope-specific concert memorabilia such as towels, CDs, Blu-rays of previous performances, and exclusive glow sticks designed for the “Grimoire” concert.

In a generous move, COVER Corporation announced that proceeds from the pop-up store, along with a $30,000 USD donation, would support wildfire relief efforts in Los Angeles, allowing fans to contribute to a meaningful cause while celebrating their favorite VTubers.

The “Grimoire” concert, held on February 26th at the Hollywood Palladium, marked a significant milestone as Mori Calliope’s first solo performance outside Japan. The event showcased her musical evolution and creative vision, with fans worldwide tuning in via live streams on SPWN and Streaming+. The concert was met with enthusiasm, as evidenced by hololive production’s Instagram post expressing amazement at the event’s conclusion. For those who couldn’t attend the pop-up store or the concert, select merchandise remains available online through the hololive production official shop until March 24th, 2025.

MORI CALLIOPE INTERVIEW

Adding to the excitement, we had the unique opportunity to interview Mori Calliope, at the pop up shop the day following her concert.

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COVER Corporation Announces Special hololive English Pop-Up Store in Los Angeles Ahead of Mori Calliope’s “Grimoire” Concert

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Exclusive Merchandise, Charity Efforts, and More Await Fans at Beverly Center February 5–27, 2025

hololive Pop-Up store front at The Beverly Center, Los Angeles, CA | February 2025

COVER Corporation has brought the world of hololive English to Los Angeles with its exciting pop-up store at the Beverly Center, open NOW through February 27th, 2025. This marks the first hololive shop in the U.S. making this a must-visit for all hololive fans.

The limited-time event allows fans to purchase exclusive merchandise, celebrate their favorite VTubers, and gear up for Mori Calliope’s highly anticipated “Grimoire” concert at the Hollywood Palladium on February 26th.

The pop-up store features themed merchandise in honor of Valentine’s Day, Making the perfect opportunity for fans to express their admiration for their favorite talents during the season of love well after the 14th. Exclusive Valentine’s Day Merchandise features, Takanashi Kiara, Ouro Kronii, Nerissa Ravencroft, and Elizabeth Rose Bloodflame.


From Keychains and acrylic standees and apparel, the store showcases a range of items celebrating the creativity and charm of hololive’s diverse talents, making it a must-visit for fans of hololive.


In a show of support for the community, COVER Corporation will donate proceeds from the pop-up store, along with a $30,000 USD donation, to wildfire relief efforts in Los Angeles. This charitable effort gives fans a chance to contribute to a great cause while enjoying exclusive hololive merchandise.

Additionally, fans can prepare for Mori Calliope’s upcoming concert, “Grimoire,” with Mori Calliope-themed merchandise such as concert towels, CD albums, and Mori’s previous concerts on Bluray in addition to an exclusive concert glow stick available for purchase just in time for the concert!


This is your chance to join the fun and experience the highly anticipated pop up shop and purchase your exclusive merchandise, but you better be quick on visiting, as some items were already sold out when we visited the store! Other merchandise on display were only available as preorders, for more information ask a friendly staff member for help.

Can’t make it? Take the picture tour here,

1 / 61


Exclusive Merchandise Available*:

  • Valentine’s Day Exclusive Items
    • Valentine Pop-Up Hoodie (Takanashi Kiara, Ouro Kronii, Nerissa Ravencroft, Elizabeth Rose Bloodflame)
    • Valentine Pop-Up T-Shirt (Takanashi Kiara, Ouro Kronii, Nerissa Ravencroft, Elizabeth Rose Bloodflame)
    • Valentine Pop-Up Big Tote Bag (featuring Takanashi Kiara, Ouro Kronii, Nerissa Ravencroft, Elizabeth Rose Bloodflame)
  • Pre-Order Items
    • Valentine Pop-Up Life-Size Tapestry (Takanashi Kiara, Ouro Kronii, Nerissa Ravencroft, Elizabeth Rose Bloodflame)
    • Valentine Pop-Up Rubber Mat (featuring all four talents)

Exclusive Mori Calliope merchandise

  • “Grimoire” Concert Merchandise
    • “Grimoire” Towel
    • “Grimoire” Glow Stic
    • “Grimoire” T-shirts (L and XL)
    • “Grimoire” Baseball Shirt
  • Mori Calliope Music Items
    • SHINIGAMI NOTE Standard Edition
    • SINDERELLA Limited Edition
    • JIGOKU 6 Limited Edition CD BOX SET
    • PHANTOMIME Limited Edition CD
    • New Underworld Order Standard Edition BD

Purchasing any Mori Calliope LP, CD, or Blu-ray will include an exclusive Mori Calliope waterproof sticker (one per item, while supplies last).

Shopping Perks

Purchases Over $70:
A Greeting Ticket (one per transaction) for access to one of the scheduled Greeting Sessions.

Per Purchase (regardless of amount):
Vinyl shopping bag with exclusive Valentine Key Art and Calliope Concert Key Art printed on the front and back.

Purchases Over $30:
One sheet of Diecut Standee Stickers (random selection from Takanashi Kiara, Ouro Kronii, Nerissa Ravencroft, Elizabeth Rose Bloodflame, and Mori Calliope).
*some merchandise may be sold out, visit the pop up store for more details.

Mori Calliope’s “Grimoire” Concert

Set to showcase Mori Calliope’s musical evolution and bold creative vision. Fans can experience the concert live at the Hollywood Palladium [SOLD OUT] or join the global audience via streaming platforms.

Concert Details:

Date: February 26, 2025
Venue: Hollywood Palladium, Los Angeles, CA
Venue Tickets: Available [SOLD OUT]
Streaming Tickets: Available on SPWN and Streaming+
Concert Website: grimoire.hololivepro.com

Stay tuned and use the official hashtag #holoPopLA to share your experience. Fans can also catch a sneak peek of the pop-up store by watching the trailer,

Subscribe to our articles, and don’t miss upcoming, exclusive content!

Join 578 other subscribers
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Bushiroad Debuts “KiLLKiSS” as the OP for BanG Dream! Ave Mujica – The Die is Cast –

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©BanG Dream! Project

BanG Deam fans can descend into the dark rhapsody of KiLLKiSS, the powerful opening theme for the highly anticipated gothic thriller anime BanG Dream! Ave Mujica – The Die is Cast –. Performed by Ave Mujica, the track combines their signature symphonic metal style with a dark and immersive narrative, setting the perfect tone for the series.

“KiLLKiSS” is the result of a stellar collaboration. The track features composition by Daisuke Hasegawa and lyrics by Diggy-MO.

A Dark Tale in the BanG Dream! Universe

BanG Dream! Ave Mujica – The Die is Cast – is the latest addition to the BanG Dream! franchise, turning the spotlight on the mysterious band Ave Mujica. Premiering worldwide TODAY January 2, 2025, and available on Crunchyroll, this intriguing series delves into the complexities of the music industry, exploring themes of ambition, betrayal, and hidden pasts through its gripping storyline and engaging sound.

Streaming and Special Releases

For fans eager to revisit Ave Mujica’s captivating sound, “KiLLKiSS” will be available for streaming on Spotify starting January 8, 2025. The physical single, scheduled for release on January 15, 2025, will include both the opening and ending theme songs (Regular edition CD jacket). A limited-edition version will come with an exclusive Blu-ray featuring Ave Mujica’s 3rd LIVE “Veritas,” a concert that took place on October 13, 2024, at the scenic Kawaguchiko Stella Theater.

Ave Mujica at “Ave Mujica 3rd LIVE ‘Veritas'” on October 13, 2024

Meet Ave Mujica

Band Visual Image

Ave Mujica stands out in the BanG Dream! universe for their gothic-themed aesthetic and enigmatic performances. The band’s lineup includes:

  • Uika Misumi (Doloris): Lead guitar and vocals
  • Mutsumi Wakaba (Felicitas): Rhythm guitar
  • Umiri Yahata (Beatrix): Bass
  • Nyamu Yūtenji (Amoris): Drums
  • Sakiko Togawa (Sicil): Keyboards

Their music blends symphonic elements with heavy metal, creating a hauntingly unique soundscape that perfectly complements their dark, theatrical persona.

Stay Tuned for More

For more information about BanG Dream! Ave Mujica – The Die is Cast –, including episode guides and character profiles, visit the official website. Be sure to follow Ave Mujica’s official social media channels to stay updated on their latest performances and releases.

Whether you’re a long-time BanG Dream! fan or new to the series, BanG Dream! Ave Mujica – The Die is Cast – promises to lead you on a symphonic journey into the depths of gothic metal. Experience the thrill today!

©BanG Dream! Project

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CODE GEASS Returns May 2024 | OP Theme By MYAVI

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The legacy of Code Geass continues to captivate fans as a thrilling new chapter unfolds! Code Geass: Roze of the Recapture, the brand new anime film set to release May 2024. This latest addition, first announced in December 2020, promises to reignite the fervor surrounding the beloved franchise.

©SUNRISE/PROJECT G-ROZE
Character Design ©2006-2024 CLAMP・ST

Scheduled for a theatrical release in four parts starting from May 2024, the anime project unveiled exciting details, including the cast lineup and theme song. Cast members include, Kohei Amasaki takes on the role of Rozé, with Makoto Furukawa as Ashe.

Adding to the excitement, MIYAVI, the globally recognized guitarist known for his unique “slap guitar” style, is gearing up to release his latest song, “Running In My Head,” on May 8, 2024. The track will serve as the theme song for the eagerly anticipated anime film Code Geass: Roze of the Recapture, and promises to be a treat for fans of both MIYAVI’s music and those eagerly awaiting the return of the Code Geass series.

Having already performed the song live, MIYAVI’s “Running In My Head” boasts an electrifying up-tempo rock vibe, characterized by his signature powerful guitar riffs. Fans can also look forward to a specially drawn anime CD jacket accompanying the single release, the illustration is yet to be released by Mood Records

Code Geass: Roze of the Recapture, the latest installment in the beloved Code Geass franchise, is set for a four-part release starting in May 2024. The most recent teaser trailer for the film features a snippet of “Running In My Head,”.

In addition to his involvement with the anime film, MIYAVI has also announced his upcoming studio album, “Lost In Love, Found In Pain.” and his digital single “Broken Fantasy / Tragedy Of Us” is now available, featuring two captivating tracks to tide fans over until the release of “Running In My Head.”

Set in the visually captivating world crafted by Goro Taniguchi and Ichiro Okouchi, this new installment is directed by Yoshimitsu Ohashi at studio Sunrise with scriptwriting by Noboru Kimura, while new character designs by CLAMP. Animation by Takahiro Kimura and Hidekazu Shimamura.

Stay tuned for more updates as the project progresses! For more information visit the Code Geass website.

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New Anime Music Label, MoooD Records, Aims for Global Success | Bandai Namco Music Live

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Bandai Namco Music Live Inc. has unveiled its latest venture: MoooD Records, a label poised to make waves on the global music scene.

Known for managing prominent labels such as Lantis, specializing in anime music, and Kiramune, dedicated to talented male voice actors turned artists, Bandai Namco Music Live now sets its sights on broader horizons with MoooD Records. In response to the evolving definition of “anime songs” and the burgeoning worldwide appeal of Japanese anime, MoooD Records emerges as a bridge between dreams and reality, connecting enthusiasts not only in Japan but across the globe through the universal language of music. (The “ooo” in “MoooD” represents interconnected circles of music.)

The label is set to showcase a roster of exceptional artists primed for international acclaim. Leading the charge is the renowned “Samurai Guitarist,” MIYAVI, whose global appeal has already captured audiences worldwide, alongside ASH DA HERO, a dynamic rock band whose second cour intro theme song “Judgement” for the TV anime Blue Lock has amassed over 15 million views. MoooD Records promises to introduce more artists with the potential for global success in the near future.

MIYAVI

MIYAVI’s unique “slap guitar” style has earned him global acclaim, with over 380 live performances across 30 countries and nine successful world tours. Beyond music, he’s made Hollywood appearances, walked the runways of Paris Fashion Week, and starred in international ad campaigns. As the first Japanese Goodwill Ambassador for UNHCR, he’s also known for his humanitarian efforts. Recently, he formed “The Last Rockstars” with renowned artists. MIYAVI’s relentless pursuit of creativity cements his status as a leading figure on the global stage.

ASH DA HERO

Formed by ASH (Vo.), Narukaze (Gt.), Sato (Ba.), WANI (Dr.), and Dhalsim (DJ), this five-member band creates music rooted in rock, punk, and hip hop, expressed through a versatile style. ASH’s vocal strength and the band’s collective, overwhelming live performances are a must-see. This is a new era mixture rock band where five talents have fatefully converged.

As MoooD Records continues its journey towards global recognition, fans are encouraged to stay tuned for exciting developments in the world of anime music as more artists will be added to the label in the coming future. Visit their official website for more information, https://mooodrecords.jp/

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See-Saw Returns with First Mobile Suit GUNDAM SEED Song in 19 Years! | Mobile Suit Gundam SEED Freedom

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See-Saw, the renowned music duo, played a significant role in the Mobile Suit Gundam SEED series by being involved in the creation of the two previous theme songs: “Anna ni Issho Datta no ni” for Mobile Suit Gundam SEED (2002) and “Kimi wa Boku ni Niteiru” for Mobile Suit Gundam SEED DESTINY (2004). Now, after a span of nearly 19 years, they are returning for their third project in the series, Mobile Suit Gundam SEED Freedom. This is an exciting comeback that fans have eagerly awaited.

Set in the Cosmic Era (C.E.), Mobile Suit Gundam SEED Freedom delves into the ongoing clash between the “Natural” humans and the genetically enhanced “Coordinators,” building upon the narratives of Mobile Suit Gundam SEED and Mobile Suit Gundam SEED DESTINY. This captivating sequel unfolds a fresh tale, set in C.E. 75, following the events of Mobile Suit Gundam SEED DESTINY.

See-Saw’s “Sarigiwa no Romantics.” will serve as Mobile Suit Gundam SEED Freedom‘s ending theme and be released as a standalone track on January 24, 2024. This single will also feature a special recording of the surprise performance of “Anna ni Issho Datta no ni” at InuFes 2019, which commemorated the 10th anniversary of FlyingDog.

In commemoration of this, the live video of “Anna ni Issho Datta no ni” performed at InuFes will be
available for a limited time starting today.

SEE-SAW debuted in 1993 with Chiaki Ishikawa on vocals and Yuki Kajiura on the keyboard. 5 years After releasing their ending theme song for Mobile Suit Gundam SEED, “Anna ni Issho Datta no ni,” they went on hiatus and pursued solo careers. They reunited and held a reunion concert in 2019 in Tokyo, marking their return after a 17-year break. We received some comments from SEE-SAW regrading their work on this special ending theme and GUNDAM:

Comment from Chiaki Ishikawa (vocals):

I am surprised and grateful to have this unexpected reunion with SEED. Back then, I received valuable
advice from the scriptwriter, Chiaki Morosawa, and gained many insights into creating music. For this
theatrical version, I wove these experiences into the lyrics. I also had the opportunity to talk to Director
Fukuda, who expanded our discussions from the individual characters’ emotions to broader topics
about war, ultimately leading to a clear destination. Somehow, along the way, it feels like we’ve created
something truly SEED-like. I would be delighted if it brings you joy.

Chiaki Ishikawa via press release

Comment from Yuki Kajiura (keyboard):

I am truly honored to have once again collaborated with Chiaki Ishikawa to create an ending theme for
Mobile Suit Gundam SEED FREEDOM. I am delighted that See-Saw was deemed necessary for this
new story, which fans have been eagerly awaiting for 20 years. It was an honor to write a song for the
final scene. We hope that it will fulfill the wishes of the fans.

Yuki Kajiura via press release

Mitsuo Fukuda, Mobile Suit Gundam SEED director added,

“Firstly, thank you for the wonderful song. When I first heard it, I felt a strange sensation. The
enchanting music by Ms. Kajiura and the story thematic lyrics by Ms. Ishikawa created an enchanting
world, and it felt as if the world of Mobile Suit Gundam SEED from 20 years ago was seamlessly
connected to the present. The emotionally stirring melody, the world-crafting arrangement, and the
lyrics connecting the emotions of the characters to the listeners all soaked into my heart. I believe it
perfectly captures the grandeur of the ending theme for the movie Mobile Suit Gundam SEED
FREEDOM.

He continues,

The ending themes of the Mobile Suit Gundam SEED series are symbolic. “Anna ni Issho Datta no ni”
was a magical song that synchronized with the theme of each episode and brought the emotion to a
climax. The same can be said for “Kimi wa Boku ni Niteiru.” It’s not the anime world but the everyday
words that link with the themes of each episode and touch the heart.
I am confident that “Sarigiwa no Romantics” will be another beautiful song that enriches the ending of
this movie.

Mitsuo Fukuda via press release

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