Category Archives: TKN Exclusive

HAZBIN HOTEL | Time to Check-In: Your Room is Ready

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Hazbin Hotel, the eagerly awaited series by Vivienne Medrano (VivziePop), has finally arrived, bringing joy to long-time fans. Collaborating with colleagues from the School of Visual Arts in NYC, Vivienne dedicated almost two years (2017-2019) to bringing the Hazbin Hotel Pilot Episode to life. Prior to the Hazbin Hotel Pilot Episode, Vivienne gained recognition through the animated music video “Die Young – Fan Animated Music Video,” featuring Ke$ha’s song. This newfound recognition helped Vivienne with her early career and later assisted in the success of Hazbin Hotel.

Screenshot of Die Young – Fan Animated Music Video

Released on October 13, 2019, the pilot episode received acclaim for its originality in story and artistic direction, quickly going viral. This success led to the spin-off series “Helluva Boss,” premiering on November 25, 2019.

In 2020, film production companies A24, SpindleHorse Toons, and Bento Box Entertainment took over the production of Hazbin Hotel. However, some changes occurred, including a new cast and redesigned main characters. The series was initially set for a summer 2023 release but faced a delay due to the 2023 strike. A new release date was announced in late September 2023, revealing an Amazon Prime Video premiere, and it was revealed that the now 4-year-old pilot episode would be canon to the series.

The highly anticipated series had its Los Angeles premiere in Culver City on Wednesday, January 17th. Cast members, including Vivienne Medrano, Stephanie Beatriz, Erika Henningsen, and Amir Talai, attended the event, marking a significant moment for the Hazbin Hotel fandom. A Q&A, moderated by Joseph Deckelmeier, was held after screening the first three episodes with the aforementioned cast members and series creator Vivienne Medrano.

Given the success of both “Helluva Boss” and “Hazbin Hotel,” what lies ahead for Vivienne? Could an animated theatrical film be in the works? While that remains uncertain, one thing is clear – we’re all in for one HELL of a ride!

The following are highlights from the Q&A

Joseph Deckelmeier: How does it feel coming into a show that already has such a fan base that’s
so strong and hardcore? Is that a little intimidating to step into?

Admir (Alastor VA): It’s funny. I had absolutely no idea until I was well into recording it. [. . .] I auditioned, thinking it would be fun. When I saw the scripts, I thought, “Yes, this is great.” It wasn’t until later, with the new voice actors announcement, that I realized it might be a big deal. Like being the new Batman, it’s definitely intimidating but exciting.

Joseph Deckelmeier: What were your first thoughts when you saw your characters rendered?

Stephanie Beatriz (Vaggie VA): We haven’t discussed this, but I love the throwback-y sailor Moon-y coquette bow, the skirt, and the stockings- I mean, some of my earliest queer awakenings were watching Sailor Moon at, like, 05:00 a.m. I remember watching it being like, some of these girls are gay, so I just love that it’s there, that’s like a little touchstone of it. I just absolutely adore it.

Joseph Deckelmeier: One thing that really stuck out to me was the chemistry that everybody had. It is incredible the way it seems like they play off each other, but they didn’t record together, so what was it that you found in the post-production process to kind of cultivate and create that chemistry amongst the cast?

Vivienne Medrano (series creator): I know what it was, the voice director. Richard Horvitz, and I have been working together for a while. He understands my taste and knows what I want, almost reading my mind for an amazing direction. During the pandemic recordings, he would read with everybody, retaining the essence of each performance. This makes a significant difference, and I’ve witnessed many actors express how much it helps them emotionally connect with the scenes.

Joseph Deckelmeier: The heart of this show is really Charlie and Maggie’s relationship. Can you guys talk about how we see that relationship explored throughout the course of season one? ‘

Stephanie Beatriz (Vaggie VA): One beautiful aspect of this series is its exploration of redemption, questioning if it’s possible to redeem a soul from hell to heaven and whether change is achievable. Sometimes, when you fall in love, you don’t really understand that you’re deserving of that love. You don’t really believe that you are the kind of person that somebody else could be in love with. When considering their (Charlie & Vaggie) relationship, they reflect the uncertainty of feeling deserving of love. Falling in love can reveal one’s true self, and in their case, they don’t seek to change each other, embracing each other’s baggage. Vaggie’s goal is to support her partner’s dreams, raising questions about love, redemption, and self-worth.

Watch HAZBIN HOTEL on Prime Video here!

Our HAZBIN HOTEL INTERVIEWS

Before releasing the Hazbin Hotel pilot episode, we had the opportunity to interview Vivenne during Anime Expo 2019, before we knew what the future held for The Hazbin Hotel!

More recently, we had the opportunity to interview Edward Bosco, the original voice of The Radio Demon, Alastor. Discover what has happened since the pilot episode, why Edward is not returning for the series, and more in our exclusive audio interview! (Giveaway opportunity towards the end!)

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ANIME LOS ANGELES 2024 | Coverage & Interviews

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A new year, a brand new Anime Los Angeles! Held for the third time at the Long Beach Convention Center, Anime Los Angeles made a triumphant return, featuring special guests Mark Allen, Jr., Edward Bosco, Lizzie Freeman, and Caitlin Glass to name a few. The event also showcased Japan based illustrator and designer, Hidetaka Tenjin and Japanese musical talent, Broken by the Scream and Sana Takizawa.

Friday’s concert featured Sana Takizawa as the opening act in his 7th American performance!

Japan-based musician SANA gained international recognition with his solo guitar performances accompanied by backing tracks, creating an unforgettable atmosphere at his shows around Europe. Formerly a member of the Japanese rock band MASK, SANA embarked on a solo career after leaving the band in 2006. He has successfully reached a global audience, including in Ukraine. During his solo European tour “SUNESTETHIA EU TOUR” in 2014, SANA visited several Ukrainian cities such as Donetsk, Odesa, Kharkiv, Luhansk, Dnipro, and Kyiv. More recently, SANA returned to Ukraine with his new tour, “Wish upon a Star hope future tour,” as part of a summer festival, where a portion of the proceeds were donated to charity.

The concert night ended with girl a powered performance by, BROKEN BY THE SCREAM!

BROKEN BY THE SCREAM is a metal idol group hailing from Japan. The band was established in October 2016 and made their debut in January 2017. They are known for their unique blend of low growls, high screams, and clean vocals, which are combined with cute idol elements. This distinctive fusion sets them apart in both the idol and metal scenes. Drawing inspiration from Metalcore and Djent, the group’s sound has continuously evolved, carving out a distinctive musical niche in the realm of Kawaii Metal.

Recently, the band released their newest mini album, Whitewater Park and are getting ready for their upcoming American tour in April 2024.

INTERVIEWS

Revisiting The Hazbin Hotel – Edward Bosco

Five years have passed since the original release of The Hazbin Hotel pilot episode. The highly anticipated series will debut on Prime Video on January 19th with an entirely different cast. Vivienne Medrano, also known as vivziepop, has built a dedicated following over the past five years due to her captivating character designs on each project. One of the most beloved characters is The Radio Demon, Alastor, voiced by Edward Bosco. Join us as we catch up with Edward Bosco and revisit his time voicing Alastor in The Hazbin Hotel pilot episode. Discover what has happened since then, why he is not returning, and more in our exclusive audio interview below!

https://thekitsunetwork.net/wp-content/uploads/2024/01/Interview-With-Edward-Bosco-ALASTOR-Hazbin-Hotel-Interview-1.mp3
“Interview With Edward Bosco Anime Los Angeles 2024 -Hazbin Hotel Interview” © TKN Media LLC 2024 ALL RIGHTS RESERVED

Watch the audio visual version here & JOIN the giveaway!

KAHO SHIBUYA Talks “The Japanese P*rn Industry Unmasked: An Insider’s Guide”

Born on June 25, 1991, in Tokyo, Japan, Kaho Shibuya is a Japanese actress, cosplayer, and former adult film star. Since 2021, she has transitioned into mainstream media, appearing in television programs, magazines, and events. Shibuya is known for her unique appearance, cosplays, and large fan base. She collaborates with companies like Gamer Supps and Twitch, and often participates as a special guest in community productions. She has been open about her experiences in the adult industry and addresses topics related to sexuality and adult entertainment. In 2020, she published “Everything girls need to know about AV” in Japan, and its English version, “The Japanese Porn Industry Unmasked: An Insider’s Guide,” in March 2023.

Listen to our exclusive interview as we catch up with Kaho Shibuya at Anime Los Angeles 2024. What challenges did Kaho encounter when releasing her book? How do the Japanese and English versions differ? What’s next for her? Find out below!

https://thekitsunetwork.net/wp-content/uploads/2024/01/Anime-Los-Angeles-2024-Catching-With-KAHO-SHIBUYA-Interview-1.mp3
“Anime Los Angeles 2024 – Catching With KAHO SHIBUYA – Interview” © TKN Media LLC 2024 ALL RIGHTS RESERVED

Watch the audio visual version here & JOIN the giveaway!

COSPLAYS

Although it was challenging to cover the convention alone, I was determined to highlight the following cosplays I encountered during my experience at this year’s Anime Los Angeles!

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Okamoto Kitchen Anime OVA Trailer Revealed Ahead of Upcoming Release | Thanksgiving 2023

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Okamoto Kitchen is excited to share that they will be releasing the Okamoto Kitchen original video animation (OVA) on Thanksgiving 2023 (November 23, 2023). To mark this special occasion, they have released a new trailer that introduces the English voice cast: Haru Umesaki, voiced by Cristina Vee, Chef Chizuru, voiced by Allegra Clark, Mickey, voiced by Patrick Seymour, Ling, voiced by Faye Mata, and Honey, voiced by Kimlinh Tran. Get ready to enjoy this exciting new OVA based on the real life food truck business of the same name.

The anime project was brought to life thanks to the support of 625 fans who backed the project on Kickstarter in 2019 with a total of $65,614 funds raised of its initial US$48,000. Japanese animation studio Magic Bus is responsible for the OVA’s layout and keyframes, while Studio Nine Lives handled the Paint & IB, and Industry Visual Effects took charge of Previz, CGI, and compositing with music by Layla Lane (Hidehito Ikumo & Valerie Stern).

What is Okamoto Kitchen?

Okamoto Kitchen At Anime Los Angeles 2019.

Okamoto Kitchen is a food truck business which was established by Chizuru and Gerald Abraham with the intention of introducing individuals with lesser-known, genuine Japanese delicacies such as Chicken Nanban, Cheese Mochi, and Classic Style Japanese Curry. The eatery’s lively Akiba-style atmosphere and outstanding customer service combine to create a memorable experience that you’ll be eager to share with your friends.

Hungry con-goers ordering at Anime Expo 2018

You can find Okamoto Kitchen, and their wonderful staff, catering to cosplayers and con attendees at various California conventions and local cities! To get detailed information about their schedule and appearances, please visit their website at https://okamotokitchen.com/#.

The OVA will be released for free on the official Okamoto Kitchen YouTube channel.

 Copyright © Okamoto Kitchen

Series Synopsis

The food truck industry is a brutal world! Savage races for parking spots, epic shonen food battles, and lots and lots of VIDEO GAMES! The naive Okamoto Kitchen food truck team of Haru, Chizuru, Mickey and Honey try their best to navigate their way around the unforgiving landscape of the Los Angeles food truck scene. Our heroes will have to push through the growing pains not only to figure out how to thrive in the food truck business, but to also discover who really has their best interests at heart. The culinary arts can sometimes be hard to digest.

The anime stars Cristina Vee as Haru Umesaki, Allegra Clark as Chef Chizuru, Patrick Seymour as Mickey, Faye Mata as Ling, and Kimlinh Tran as Honey

For more information on the series visit their official Website, https://okamotokitchen.com/anime/

CHECK OUT THE NEXT PAGE AS WE GO INSIDE OKAMOTO KITCHEN!

Blue Eye Samurai Premieres at AIFF 2023 | NETFLIX

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Blue Eye Samurai, created by Micheal Green & Amber Nozumi, is a captivating story set in Edo-period Japan. The series revolves around Mizu, a skilled swordmaster of mixed race, as she navigates a life shrouded in disguise and driven by the pursuit of revenge. Voiced by Maya Erskine, Mizu’s character combines determination, grace, and a deep understanding of the art of the sword. As the plot unfolds, viewers are transported to a world filled with animated intrigue, complex relationships, and epic battles. Blue Eye Samurai offers a unique blend of historical fiction, action, and personal growth, making it a thrilling and immersive watch.

Micheal Green, known for his exceptional storytelling, has previously worked on acclaimed projects such as Logan, Blade Runner 2049, Murder on the Orient Express, and, most recently, A Haunting in Venice. With his unique ability to craft compelling narratives, Green, along with Nozumi, brings their expertise to Blue Eye Samurai, creating a world that will captivate viewers.

Photo Credit, John Salangsang for AIF

Jane Wu, the visionary director behind the series, is renowned for her work as a storyboard artist. Her impressive portfolio includes notable projects such as Mulan (2020), Star Trek Beyond (2016), and Guardians of the Galaxy (2014). In addition, Wu has also contributed her talents to beloved animated series such as The Men In Black, Jackie Chan Adventures, and Godzilla. With Blue Eye Samurai, Wu marks her return to animation, allowing her to showcase her exceptional skills and breathe life into this thrilling series. Together, this series is set to transport audiences to a world of adventure, mystery, intrigue, and a bloody good time.

Photo Credit, John Salangsang for AIF

The first episode of the series premiered at this year’s Animation Is Film Festival at the TLC Chinese Theater in Hollywood. Despite the grandeur of the red carpet, the absence of acting talent served as a constant reminder of the ongoing SAG-AFTRA strike. However, the series director, Jane Wu, and the series creators, Michael Green and Amber Nozmi, were present at the event. Their presence signified their commitment to the project, even amid industry challenges.

In recent years, we have witnessed the emergence of a new wave of iconic adult animation that ventures beyond the confines of the typical comedy genre. These adult animated series delve into dramatic stories and explore complex themes. While there have been many notable examples from the East, such as Satoshi Ton’s groundbreaking 1997 film Perfect Blue, let’s focus on Western adult animation.

When we think of adult animation in the Western context, the first shows that come to mind are often comedies such as Family Guy or even irreverent black comedies like Sausage Party. However, there is a growing movement within the industry to redefine and push the boundaries of what we understand as “Western adult animation”.

Enter Blue Eye Samurai, a captivating series that aims to challenge the conventions of adult animation in the West. Both the series director and creators are dedicated to redefining the genre, striving to provide a unique and thought-provoking viewing experience. By combining elements of action, drama, and nuanced storytelling, Blue Eye Samurai offers a fresh perspective on the potential of adult animation.

As adult animation continues to evolve, it is exciting to witness the birth of groundbreaking shows like Blue Eye Samurai, which challenge the traditional boundaries of the genre and push the art form to new heights. If you enjoy films such as Kill Bill and episodic storytelling such as Arcane, you’ll love Blue Eye Samurai!

Don’t miss our exclusive interview with director Jane Wu and series creators Michael Green & Amber Noizumi, discussing their work on Blue Eye Samurai. Join us on the red carpet as director Jane Wu shares her insights into the series, followed by creators Michael Green & Amber Noizumi revealing the inspiration behind BLUE EYE SAMURAI.

Add BLUE EYE SAMURAI to your queue & remember to watch on November 3rd!

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Interview With WolfO’Donnell |Voice Actor Jay Ward

GKIDS Reveals THE BOY AND THE HERON English Cast

Isaki Uta’s Highly Anticipated Doujinshi Collection | Exclusive Interview

SONIC SYMPHONY Arrives in Los Angeles! | Sonic Mania

Interview With WolfO’Donnell |Voice Actor Jay Ward

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When I conducted and released TKN’s very frist Star Fox interview, I never imagine I would receive such a positive reception from the Star Fox community. We interviewed two Fox McClouds (Mike West & Jim Walker), Slippy Toad (Lyssa Browne), & both Krystal Fox (Estelle Ellis and Aelisia Gildewell).

Three years after our interview with Fox McCloud (Mike West), I present our exclusive interview with voice actor, Jay Ward the iconic voice of Wolf O’Donnell.

Join Jay and I in this exclusive audio interview, as we speak about Jay’s career & his journey voicing the smooth and bold wolf villain in the Star Fox series!

Listen to the very end to learn how you can enter to win an autographed print signed by Wolf himself!

Actual prize.

Subscribe to our articles below, and don’t miss any upcoming exclusive content!

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Isaki Uta’s Highly Anticipated Doujinshi Collection | Exclusive Interview

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Isaki Uta is a talented manga artist renowned for their captivating artwork and captivating storytelling. They have gained recognition for their masterpiece, Mine-kun is Asexual, which fans have warmly received worldwide.

Isaki Uta’s stories explore personal identity and the challenges of navigating a society that may not readily accept or even understand those who are “different.” In addition to their commercial manga works, such as Is Love The Solution? published by Kodansha, Uta has also created remarkable doujinshi, including titles like Leaper and Silkscreen. Their unique storytelling style and LGBTQ+-focused narratives have made them a beloved figure in the manga community.

Irodori Comics has recently announced the launch of the Kickstarter campaign for “Isaki Uta: The Lost & Found Collection” showcasing the remarkable works of Isaki Uta. Published in the United States by Kodansha, Isaki Uta’s stories delve into individuals’ complex journeys and personal struggles as they explore and embrace their gender and sexual identities.

This collection allows a broader audience to appreciate the artistic brilliance and emotional depth of Isaki Uta’s writing and art.

The Kickstarter launch page for “Isaki Uta: The Lost & Found Collection” is now available. Don’t miss out on this opportunity to delve into four of Isaki Uta’s most acclaimed stories by visiting the official Kickstarter page. Story synopsis are as follows,

Mine-kun is Asexual

(Preview below)

In “Mine-kun is Asexual,” Mine doesn’t like sexual intimacy in a relationship. He can kiss a girl, but it’s not something he wants to do if he can help it. But Murai loves him so much that she’s willing to overlook the fact that she can’t hold his hand; that she can’t cuddle up next to him when they watch movies together; that she can’t fall in love with him the way that she hopes to be loved in return. In the eyes of those around them, is this even a relationship that’s meant to last, or is it a train wreck just waiting to happen?

Leaper

Leapers—individuals who were born on February 29th that age at a rate four times slower than that of a normal person and can live for over 300 years. Mio Aono is one of these leapers and like many, experiences all the emotions that come with living beyond the normal, mortal lifespan. This story won an honorable mention in the Monthly Afternoon Magazine Manga Competition and jumpstarted Isaki Uta’s career! Originally published in 2008, this landmark work has been updated and re-released as a doujinshi and localized in English for fans to enjoy.

Mermaid in the Bottle

Takeru has always felt like another cog in the wheel of corporate society, but things take a strange turn when he and his sister discover a mermaid inside a cosmetic lotion bottle. Memories of childhood; a brother and sister separated in the aftermath of a failed marriage; corporate money disappearing off the ledgers… Mermaid in the Bottle is Isaki Uta’s tour-de-force first foray into self-publishing and features a unique story looking into the bitter-sweet relationship of a brother and sister with a shared, troubled past.

Silkscreen

A girl falls in love and devotes herself to them, but they don’t conform to her expectations, perhaps because she looks at them through a blurry curtain. Silkscreen touches on a bittersweet romance between a lesbian and a genderqueer individual, who later comes out as a trans man. Those familiar with Isaki Uta’s previous works like Mermaid In The Bottle, Leaper and Mine-kun is Asexual, will know that the author has a unique style of storytelling that leaves a lot to the reader’s interpretation. Silkscreen is a bittersweet story that briefly explores the concepts of identity, rejection, and acceptance.

Isaki Uta’s works are gems in the world of Japanese LGBTQ+ comics,[. . .] The relationships between characters aren’t cookie cutter and show the rawness and intensity of discovering one’s sexuality and gender identity. It makes queer individuals like myself feel seen and that these kinds of stories are worth telling.” 

– ITSUKI, Irodori Comics Translator via Press Release

Isaki Uta added,

“I put my heart and soul into drawing these stories, so I hope you enjoy them!”

Isaki Uta via Press Release

TO GO NEXT PAGE FOR AN EXCLUSIVE INTERVIEW WITH ISAKI UTA

YOSHIKI — Immortalized In Cement At TCL Chinese Theatre

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Very few can say they had their hand prints cemented on the famous TCL Chinese Theatre floor. From the early silent film star Norma Talmadge, added in 1927 to the most recent ceremonies of director James Cameron and producer Jon Landau. Now, international musician superstar YOSHIKI has been forever Immortalized at TCL Chinese Theatre, becoming the first Japanese person to do so.

Yoshiki gives a speech during the handprint ceremony.

Who is YOSHIKI?

Yoshiki is a pianist and drummer best known for forming the globally famous band X Japan, which he started with the band’s lead vocalist, Toshi in 1982. You do not have to be a fan of X Japan to see the band’s influence on Japan’s rock subculture. X Japan is often credited as the pioneer of the visual kei movement. Visual Kei, often compared to Western glam, is a movement that originated in Japan during the late 1980s, influenced by glam rock and other 1980s rock music styles. Visual Kei can be a style, music genre, or music scene.

X Japan often included a mixture of speed metal and symphonic or ballard elements within their music making them stand out from any other rock band in Japan at the time. In 1989, the band achieved their breakthrough success with their second and major debut album, Blue Blood and as a result, X Japan became an instant hit.

Five studio albums later and over 27 sold-out concerts and 16 sold-out tours, on September 22, 1997, X Japan announced that they would disband.

Yoshiki Goes Solo

As a solo musician, Yoshiki released his first solo album, the classical studio album Eternal Melody, which was performed by the London Philharmonic Orchestra and produced by the Beatles producer George Martin. Around this time, Yoshiki began learning about jazz improvisation and orchestration. In 1994, Yoshiki worked with Queen drummer Roger Taylor on a song he composed, “Foreign Sand,” for which Roger wrote the lyrics; the song was performed at The Great Music Experience in May of that same year.

That same year, Yoshiki also contributed an orchestral arrangement of “Black Diamond” played by the American Symphony Orchestra. The song was featured in KISS’s tribute album “Kiss My Ass“.

In later years, Yoshiki would go on to perform and collaborate on numerous musical projects with artists such as George Martin, Bono, will.i.am, Jennifer Hudson, St. Vincent, Stan Lee, Roger Taylor and Brian May of Queen, Gene Simmons and KISS, Nicole Scherzinger, and recently Sarah Brightman.

New Band Formations

MIYAVI, Yoshiki & Sugizo at JRock Revolution in 2007 At The Wiltern Theatre

In July 2006, Yoshiki announced the formation of a brand new band, S.K.I.N.S. which would include JRock (Japanese Rock) stars, Yoshiki (drums, piano), Gackt (vocals, piano), Sugizo (guitar, violin) & Miyavi (guitar, shamisen). This new band was unique from the start, as it was the first Visual kei band based in the U.S., specifically Los Angeles. Uniquely, S.K.I.N.S has only performed once during their debut performance on June 29, 2007, at the Anime Expo 2007 in Long Beach, California. S.K.I.N.S has since been inactive, and no new announcements have been made.

Yoshiki would later be involved in projects that included composing the 69th Golden Globe Awards theme and composing anime and film soundtracks to Attack on Titan and Saw IV.

Miraculous Ladybug The Movie | REVIEW

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When “Miraculous Ladybug” first debuted in 2015, it instantly captured the attention of anime enthusiasts and garnered a significant cult following. This captivating animated series was brought to life through the collaboration of ZAGtoon and Method Animation, with the renowned Japanese animation company, Toei Animation, serving as a co-producer. Thomas Astruc, a talented cartoonist, developed the character of Ladybug and played an integral role in shaping the TV series alongside Jeremy Zag, the CEO, director, and producer of ZAGtoon.

Miraculous Ladybug” revolves around the lives of two teenagers, Marinette Dupain-Cheng and Adrien Agreste. When duty calls, they transform into the fearless superheroes Ladybug and Cat Noir. Together, they valiantly protect the city from the clutches of supervillains. While the series was initially intended to be in a 2D anime style, it ultimately evolved into a CGI production, a decision made by the French producers. However, fans can still find the original anime-style promotional OVA video on YouTube, animated by Toei Animation.Over time, “Miraculous Ladybug” has cultivated a devoted fandom, including passionate cosplayers and artists who proudly call themselves “Miraculers.” The series has expanded into a successful media franchise, encompassing comics, a web series, novels, video games, a manga series, and most recently, the highly anticipated motion picture, “Ladybug & Cat Noir: The Movie“. With its growing popularity and array of merchandise, “Miraculous Ladybug” has firmly established itself as an enchanting world that continues to captivate audiences of all ages.

The Highly Anticipated Motion Picture Film

Embark on a captivating cinematic experience as you delve into this highly anticipated animated film of the year! The film follows the thrilling journey of two teenagers, Marinette Dupain-Cheng and Adrien Agreste, who must uncover the truth about themselves and harness their extraordinary powers to safeguard the illustrious city of Paris. The film is a heartfelt tribute to the dedicated Miraculous Ladybug fandom while appealing to newcomers.


The film briefly introduces the Miraculous and showcases the various Miraculous, leaving room for potential future film projects. As an origin story, the film explores the beginnings of our main protagonists, Marinette and Adrien, and their journey to becoming superheroes and reveals how they obtained their Miraculous. The film touches on universal teenage themes of courage and selflessness, capturing the challenges of adolescence, such as fitting in and facing one’s fear.


It becomes apparent that the film’s narrative adheres to a relatively straightforward and predictable trajectory, albeit keeping in mind its intended target audience encompassing the younger demographic. However, the animation compensates for its anticipated plot developments. Distinct from its television counterpart, where character portrayal tends to lean towards stylized plasticity, the film’s creative team dedicatedly strived for meticulous detailing and hyper-realistic verisimilitude in rendering both Marinette Dupain-Cheng and Adrien Agreste. Their meticulously crafted appearances feature nuanced facial expressions, lustrous hair, and mesmeric eyes. Noteworthy locations such as The Cheng’s boulangerie (French for “bakery”) and Adrien’s mansion beautifully showcase opulent French architectural design and, in certain instances, timeworn interiors, lending an air of “lived-in” authenticity.


In addition, characters’ facial expressions play a crucial role in conveying their emotions and setting the overall mood of the scenes; this is further supported by the production team, animating characters with detailed and realistic skin textures, making them come to life and feel more like lifelike on the screen.


The animators strived for realism, at least more than the TV series. An interesting and subtle highlight is that the animators animated the characters’ hair in various directions, ensuring the hair is not perfectly styled. By adding intersecting strands and different hair directions, the animators created a more natural and authentic look for the characters, once again bringing them to life on the screen.


While there is no official confirmation, avid followers of the series may find several sequences within the film that bear a striking resemblance to scenes from an unaired 2D anime-style ‘OVA Promotional Video’ dating back to 2015. The uncanny similarities between the two raise the possibility that the film’s storyline was initially intended to serve as the introductory episode for the projected 2D anime series. Of course, the speculation surrounding this potential connection is pure conjecture, as the 2D anime iteration never came to fruition, and ZAG has never mentioned the 2D project since.

The Music

One prominent aspect of the film that deserves special mention is its captivating musical score. It becomes evident from the very beginning that the melodic voices of the main characters differ from their spoken voices, adding an intriguing layer to the overall experience. Marinette is brought to life through the talented voice acting of Cristina Vee, while the prolific Bryce Papenbrook voices the charming Adrien. The singing voice of Marinette is portrayed by the French singer Lou Jean while Drew Ryan Scott performs Adrien’s singing voice with music composed by CEO and film director Jeremy Zag himself with assistance from Australian filmmaker Michael Gracey.


Noam Kaniel, the talented cartoon music composer, was surprisingly not involved in the film’s musical score. Despite his previous success composing the theme song for the TV series, his unique musical style was unfortunately absent from the film’s soundtrack.

The Plot

The film’s storyline might be predictable for more experienced viewers, but it remains highly enjoyable and entertaining. While the film does contain a few gaps in the plot, it serves as a compelling introduction to the TV series. Towards the end, there are some noticeable inconsistencies when compared to the TV show’s plotline. Nevertheless, with a bit of imagination, it gives room for speculation and wonder about what might have occurred after the film’s iconic and intense climax.It is not surprising that there is a romantic element between Ladybug and Cat Noir, although the TV series does not delve deeply into it in the first two seasons. However, the film takes the opportunity to explore their relationship in greater detail. Every emotional response from the characters is given careful attention, ensuring that romantic and conflicting feelings resonate with the audience.

Now on NETFLIX!

The movie premiered in Paris, France, on June 11th of this year with a limited release in theaters worldwide. As reported by the French magazine Paris Match, the film was produced with a budget of €80 million (or about $86 million), making it the second most expensive French film in history, second only to the 2017 movie Valerian and the City of a Thousand Planets.

Need a new phone wallpaper?

If you are captivated by this review, prepare to immerse yourself in the enchanting world of Miraculous Ladybug, as both the captivating TV series and thrilling film are now streaming on Netflix! Be ready to join forces with the courageous heroes of Paris as Marinette Dupain-Cheng and Adrien Agreste transform into the extraordinary Ladybug and Cat Noir. Together, they stand as beacons of hope, defending the beautiful city Paris from the clutches of menacing supervillains orchestrated by the nefarious Hawk Moth. All this while struggling with their teenage life! Get ready for an exhilarating adventure that will keep you on the edge of your seat!

Our History with ZAG Studios and Miraculous Ladybug

I would like to express my gratitude to ZAG Animation and its Glendale-based Studio. Even before the release of season two of the TV series, The Kitsune Network has collaborated with Zag Studios to bring our subscribers and followers exclusive interviews and an insider’s perspective on Miraculous Ladybug since 2015. We began by conducting an interview with Jared Wolfson, formerly the Head of the TV Division at ZAG. This was followed by a delightful interview with voice actress Cristina Vee at ZAG studios! Ever since then, The Kitsune Network has been actively covering various, major, Miraculous Ladybug events. Most recently, we attended the exciting grand opening of the Miraculous Ladybug store in Santa Monica, CA. Congratulations to the entire team over at ZAG Studios for this incredible milestone! Let’s take a look at some of the memorable moments from those interviews and other Miraculous Ladybug coverage articles here.

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Interview with Prominent Artist MIREI – Lonely In Tokyo

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MIREI, also known as Touyama Mirei in Japan, is a prominent artist in the Japanese music industry. Since 2014, she has been releasing chart-topping hits under Sony Music label. MIREI’s unique approach to music is characterized by her English-language releases, which offer a fresh and unapologetic perspective on Japan and its people. Having spent time living in New York City, she draws inspiration from both American and Japanese music cultures, resulting in a captivating and distinct artistic vision.

MIREI

MIREI performed at NOVO in LA Live on July 2nd as part of the Anime Expo 2023 Summer Fest. For first time, MIREI’s set consisted of both English and Japanese language songs mixed in. This appearance marked her first performance in the US after COVID, and her second LA appearance since BET Awards in 2014. 

MIREI made her English-language debut with the 2020 album “Take Me Away,” which received an overwhelming response from fans and media worldwide, including Teen Vogue. The album include the hit single, Lonely In Tokyo.

Latest Single – LONELY IN TOKYO

“Lonely In Tokyo” is a song that explores the dark side of the Japanese idol industry. It tells a story of loneliness and isolation, resonating with listeners all over the world. MIREI recorded and released the song in English in 2020, and it has gained a strong fanbase. The song reflects on the loneliness felt by many people, especially in the changing world. MIREI hopes that her music can inspire and give courage to those who feel alone.

Fans in Japan can finally rejoice as the much-awaited track, “Lonely In Tokyo,” from her globally acclaimed album, Take Me Away, is now available in Japanese. After a long three-year wait, the EP has been released, featuring a Japanese edition of the song and an exciting Phonk House Remix with BENXNI from STARKIDS, a renowned underground group known for their innovative music.

MIREI AUDIO INTERVIEW

We had the opportunity to catch up with MIREI, a day after her successful performance at The NOVO, and speak on her recent successes and her latest single, “Lonely in Tokyo“, Listen to our interview,

https://thekitsunetwork.net/wp-content/uploads/2023/07/MIREI-INTERVIEW_FINAL-MIX.mp3
BGM “Flex Complex” Produced by Aleph One used under license from Epidemic Sound

You can listen to “Lonely in Tokyo” and more from MIREI on Spotify and on other platforms here. Learn more about MIREI and her work by visiting her website at https://mireinyc.com/

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Mecha-Ude: Mechanical Arms | INTERVIEW | AX 2023 Coverage

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Mecha-Ude: Mechanical Arms held its world premiere at this year’s Anime Expo. Mecha-Ude: Mechanical Arms is a new science-fiction action-adventure anime and manga that explores the world of sentient mechanical beings called Mecha-Ude and the people who wield them! Originally created by independent animator & director Okamoto and produced by Fukuoka-based TriF Studio in 2016. 

Animator and director, Okamoto created the series in 2016 with a Kickstarter, which raised over $67,000, more than twice its $25,000 goal. A pilot episode, produced by TriF Studio through the Kickstarter, became an instant hit and in 2018, got an English dub.

In 2022 the series was picked up for a full anime adaptation, produced by TriF Studio and Pony Canyon. At this year’s Anime Expo, episode 1 premiered with new exclusive footage, not previously seen in the pilot. The Mecha-Ude anime series is slated for 2024, exact release date is currently TBA. To learn more on the series and its Japanese cast and crew visit the official Mecha Ude website.

Anime Synopsis

One day, Amatsuga Hikaru, a junior high school student living in Kitakagami City, meets the mysterious “Ude”-shaped mechanical life form Alma. Alma attempts to bind to Hikaru’s body in order to obtain energy from him, but fails. To his surprise, it binds to the hoodie that Hikaru was wearing. Meanwhile, the “Kagami Group,” a large corporation that plans to enslave the Mecha-Udes and turn them into weapons, is in pursuit of Alma. ARMS, an organization working to save and free the Mecha-Udes, also searches for Alma. Hikaru, unable to abandon the weakened Alma, puts on the hoodie that Alma has bonded with and gets caught up in the great events unfolding among the Mecha-Ude users…

INTERVIEW WITH OKAMOTO

At Anime Expo I had the opportunity to interview Mecha-Ude animator and director, Okamoto about her journey and experience creating the world of Mecha-Ude,

Animator and Director, Okamoto

Krystal: Can speak about the origins of MECHA-UDE?
Okamoto:
I’m a huge fan of Shounen manga and one day I just decided I wanted to draw a robot, but drawing a full-size body robot was too hard. So I decided I would try just to draw an arm.
K: Enhance the subtitle “Mecha arms
O:
Correct. Yes. 
K: So you’re not only the creator of the stories, but also the director for the Anime series, are some elements within the anime, that you emphasizes for the audience members?
O:
The story is very much about the characters. I hope that people will see, like, pay attention to how they develop and how they move.
K: It has been roughly serve years, between the kickstarter in 2016 and now, what are some things that changed in the series?
O: When the pilot episode was made, a fuller story was already created, like a bigger story that we were hoping to work on later. So basically not much has changed. I’m brushing up on stuff in the past few years, but that’s about it.

Okamoto, Shuichi Aso (TriF CEO) & Tetsuya Kinoshita (Producer)

K: How would you describe the anime series to encourage people to read the Manga, or watch the anime series?
O:
All of the mecha-udes are also their own characters, and they’re very unique, so they’re very appealing as well. They’re part of the series and just as important as the human characters, that’s one of the selling points.
K: What can you tell me about the main character?
O:
Hikaru was a pretty dull, mundane character with nothing special going on until he meets “Alma”, the Mecha Ude, he meets, and then they’ll have adventures and he’ll also be able to grow as a character. The story’s going to be about their partnership and how they grow together as characters in the series.

THE MANGA

Additionally, eManga publishing company Azuki, celebrated the launch of the latest exclusive manga series, Mecha-Ude: Mechanical Arms by Yoshino Koyoka and TriF based on Okamoto’s creation. The manga adaptation is now available only on Azuki with new chapters every Wednesday!

Manga Synopsis

A brand-new manga series based on the anime by Okamoto and TriF! Kita-Kagami City is a pretty normal town… except that some people have gotten their hands on Mecha-Ude: powerful, sentient mechanical beings attached to the limbs of their hosts. When middle school kid Hikaru accidentally activates Alma, a mysterious Mecha-Ude with no memory of his past, he forms an unlikely connection with the talking arm. But where did Alma come from? And why are shadowy secret organizations and corporate assassins with deadly Mecha-Ude of their own suddenly chasing Hikaru down, hell-bent on stealing Alma? Hikaru and Alma must learn to work together to uncover the truth behind Alma’s identity and prevent him from ending up in the wrong hands (or on the wrong arm)!

You can start reading the manga which is now available over at Azuki, available on the web at www.azuki.co and in the iOS App Store and Google Play Store. The app features over 200 series, including international hits like Attack on Titan and acclaimed new series like Mecha-Ude: Mechanical ArmsNatsume & Natsume, and My Dear Detective: Mitsuko’s Case Files.

Start reading for free with advertisements today, or upgrade to Premium and access the full catalog for just $4.99 a month. A 14-day free trial and discounted annual plan are also available. Most titles are available worldwide (except Japan). Stay up to date on the latest announcements by following Azuki at twitter.com/ReadAzukifacebook.com/ReadAzuki, and instagram.com/readazuki.

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