The Society for the Promotion of Japanese Animation (SPJA) has announced the return of Anime Expo Chibi (AXC) for its fourth year, taking place November 7–9, 2025, at the Ontario Convention Center. The fan-favorite mini-convention brings an even bigger celebration of anime, art, and community this year — complete with an additional event day, expanded footprint, and an exclusive live concert by Japanese rock band SPYAIR.
SPYAIR Live in Concert
Best known for their iconic anime themes from BLEACH, Gintama, Mobile Suit Gundam: Iron-Blooded Orphans, and Haikyu!!, SPYAIR will headline an exclusive outdoor concert on Saturday, November 8, followed by a panel and autograph session on Sunday, November 9. Their latest hit single “Orange” from Haikyu!! The Dumpster Battle has already surpassed 200 million streams worldwide, setting the stage for one of AXC’s most anticipated live shows to date.
Experience the World of Godzilla
Fans can step into a cinematic, post-apocalyptic Godzilla experience, featuring themed beverages, vehicles, props, audiovisual effects, and exclusive collectibles. This immersive installation promises jaw-dropping photo ops and the kind of large-scale spectacle that only Anime Expo events can deliver.\
Panels, Performances & Party Nights
Anime Expo Chibi 2025 will host over 60 guests and talents, including Mika Akitaka (Mobile Suit Gundam designer), Chiitan the fairy otter mascot, and voice actors SungWon Cho (ProZD) and Alan Lee (KPop Demon Hunter).
Programming highlights include:
Idol showcases, sumo exhibitions, and cosplay runways
Two rave events: the Kick-Off Party with We Touch Grass on Friday and the Anime Rave After Party with Senpai Squad on Saturday night
Workshops, creative panels, and family zones for all ages
The convention will also feature an expanded Artist Alley, Xeno’s Trading Post, and an 18+ zone in the Ontario Convention Center ballroom — offering fans everything from handcrafted merchandise to exclusive collectibles.
Japanese Food Festival & Family Fun
Partnering with Weekly LALALA, the event introduces a full Japanese Food Festival featuring 19 local restaurants serving authentic street food and desserts. Two cosplay-themed cafés, inspired by Akihabara’s maid and butler cafés, will also debut this year.
Kids under 13 can enter for free with a paid adult wristband, with family-friendly zones including the Chibi Cosplay Runway, Parent Lounge, and late-night karaoke, gaming, and food challenges that run until midnight.
This year’s Anime Expo Chibi expands beyond the Ontario Convention Center, incorporating the Delta Hotels Ontario Airport to accommodate larger audiences and more programming areas.
“We’ve put so much thought and care into how we’ve grown Anime Expo Chibi this year,” said Matthew Thomas, SPJA’s VP of Operations. “Every new feature and collaboration was designed with our attendees, artists, and exhibitors in mind. This event is a celebration of the community that makes AXC possible.”
via press release
Event Information
Dates: November 7–9, 2025
Location: Ontario Convention Center, Ontario, California
Japanese illustrator Acky Bright has become one of the most exciting names in global pop culture, fusing his signature kawakakkoii (cute × cool) aesthetic into projects that bridge anime, gaming, music, and fashion.
Over the past two years, Bright’s work has exploded onto the international stage. In 2024, he spearheaded McDonald’s worldwide “WcDonald’s” campaign, designing manga-style packaging, original characters, and a digital manga series that brought anime culture into fast-food history. He also teamed up with chart-topping band ASTERISM on the Planet of Metal concept album, creating a 28-page artbook that expanded their musical world into visual storytelling. Fans of gaming saw his touch in the Monster Hunter Now × Ayase collaboration, where Bright’s illustrations powered an energetic crossover of music and monster hunting.
Characters Designed by Acky Bright (Left to Right): Mia, Carm, J, Flurry, Mr.Bev, Wicke, Burg, Midnight, Quart Sr, and the WcDizer 3000.
Planet of Metal concept by Acky Bright
On the fine art side, Bright’s “Studio Infinity” solo exhibition at Japan Society in New York blurred the line between gallery and studio. Visitors watched him live-draw massive murals and even join in on the process, highlighting his love for interactive creation.
At Anime Expo 2025, Bright delivered one of the convention’s most talked-about panels, mixing live art games like “Guess the Sketch” and the “3 Deck Challenge” with big announcements. He teased a major cross-industry project set for October 2025, showcased a prototype of his upcoming Underverse collectible figure, and reaffirmed his lifelong dedication to designing original characters.
Acky Bright’s journey demonstrates not only his versatility but also his commitment to making art that’s playful, edgy, and deeply personal.
Exclusive Interview with Acky Bright
We at The Kitsune Network had the honor of speaking with Acky Bright to discuss his recent projects, his artistic philosophy, and what fans can expect next,
Krystal:
You’ve worked with McDonald’s on some high-profile anime-inspired projects – from the global “WcDonald’s” campaign (complete with manga-style ads and even an immersive LA restaurant experience) to a viral McDonald’s Japan music video promotion featuring popular artists like Ado, YOASOBI, and Hoshimachi Suisei. How did you approach blending your manga-style art with such an iconic fast-food brand, and what was most challenging or rewarding about bringing these campaigns to life?
WcDonald’s iconic Manga paper bag, designed by Acky Birght.
Acky:
Regarding WcDonald’s, I found it incredibly cool that the actual McDonald’s launched a global campaign using the “WcDonald’s” parody—a concept long familiar in anime and manga. I was truly honored and excited to be selected as the campaign’s main designer. I also had a great degree of creative freedom, which made the entire experience genuinely enjoyable from beginning to end. Given my understanding of Western culture, I think I was able to deliver work that left both the client and fans highly satisfied. In Japan, McDonald’s campaigns are major cultural moments each year, and this one was led by a creative team composed of some of the country’s top talents, so it was a fantastic project to be a part of. I was also given considerable freedom in designing the characters, which made the process all the more enjoyable. One additional point: each popular artist has their own loyal fanbase. So when creating the designs, I considered not only the artist themselves, but also how to make their fans happy through the visuals.
Krystal:
At Anime Expo 2025, you surprised fans with a sneak peek of an upcoming figure based on one of your original designs. This is part of your partnership with collectible company Underverse to create high-end figures. How does it feel to see one of your illustrations come to life as a detailed 3D figure, and what can you tell us about the design or story behind this character? Are there more figures or plans in the works through this collaboration?
Acky:
As for the UNDER VERSE project, while I can’t go into too much detail as this was shown as a bit of fan service, I’m absolutely thrilled that a figure of mine is being produced as part of the “SEVEN STARS” series. The official setting is as follows: when the silicon-based civilization tore through the constraints of the “Three Laws of AI,” a torrent of machines was unleashed within the quantum matrix, issuing a final judgment upon human civilization and bringing it under machine rule. In response, humanity leveraged the “GAME” system—featuring rogue AI warriors that still retained remnants of the Three Laws—to ignite rebellion through a bounty-based mechanism. The first figure in the series is MONICA, once a member of the “Number 7s.” Originally created by AI as the perfect warrior to carry out humanity’s extinction, she now fights back—having lost those memories. The plan is to release more figures of these “Number 7s” warriors, and I hope the project will eventually evolve into something like an anime.
Krystal:
Your solo exhibition “Studio Infinity” at Japan Society in New York essentially turned the gallery into your personal studio – you were live-drawing on site, letting visitors watch and even participate as you created manga-style murals in real time. What was that experience like for you, performing your art live in a museum setting? Did interacting with visitors on the spot influence the pieces you created?
Acky:
This was my first solo exhibition in the U.S., and it was held at a gallery with more than a century of history—one that has hosted only world-renowned artists. It was truly an unforgettable experience for me. Some people came back to visit every week, and I was able to form real friendships with them. I imagine it’s unlikely that another artist will exhibit something similar at Japan Society in the future, which makes me feel incredibly grateful. I look back on this time with nothing but happiness.
Krystal:
Any plans on bringing “Studio Infinity” to Los Angeles?
Acky:
If the opportunity arises, I’d definitely love to do it again. There are many great galleries in Los Angeles, so I hope to make it happen someday.
Krystal:
Your art style is often described as kawakakkoii – a blend of “cute” and “cool” aesthetics. When designing characters, how do you decide what elements should be charming or adorable versus which should be edgy or “cool” to achieve that mix?
Acky:
I’m not the type of artist who draws based on theory, so I can’t say for sure how my style developed. However, the phrase “kawa-kakkoii” (“cute and cool”) has become somewhat of a signature descriptor for me. It actually originated from manga artist Yusuke Murata (of Eyeshield 21 and One-Punch Man fame), who once posted on social media that he had purchased my art book and used that term to describe my work. I’ve proudly adopted it ever since.
Krystal:
You’ve mentioned that you have a lifelong passion for creating your own original characters rather than working on pre-existing IPs. How has focusing on original designs (instead of fan art or existing IP) helped shape your career and identity as an artist?
Acky:
When I was in middle school and first dreamed of becoming a professional artist—with no real basis for that dream—I told myself: “You can’t become a true artist by copying others.” Of course, as we live, we naturally absorb influences from everywhere, and as professionals, it’s important to understand trends. But even within that, I try to maintain originality and focus on expressing what makes my work me.
Krystal:
What elements in daily life inspire you to create your own original characters?
Acky:
My inspiration comes from everything I see. In that sense, traveling the world and experiencing different cultures is an incredible source of creative fuel. I also make a conscious effort to absorb input—whether it’s watching all kinds of videos or listening to music—especially because when work gets busy, output tends to take over.
Krystal:
You’ve achieved so many collaborations across music, gaming, and even fashion – Looking to the future, is there a dream project or medium you haven’t tackled yet that you’d love to try next? Overall, what new goals or aspirations are you excited to pursue as you continue to evolve your artistic journey?
Acky:
My next goal is to build a studio in the U.S., where I can take on even larger projects as a producer, working with other artists from around the world. I want to go beyond just anime and games—live-action, too. My ultimate dream is to recreate the energy and excitement of 1990s shonen manga magazines, but on a global scale. I already have a concrete idea that might make it possible, so this may very well be my “dream project.”
Krystal:
As an artist who has overcome your own artistic challenges, What advice or messages would you have for those who want to pursue an artistic career?
Acky:
That’s why I want to encourage people to free themselves from comparing their work to others or measuring their value by the number of likes on social media. If you keep going, you’ll come to understand: once you choose the path of art, “creating” becomes a lifelong journey. So don’t get caught up in momentary praise, fleeting trends, or surface-level recognition. They don’t matter in the long run.
Acky Bright’s career is a testament to how art can transcend borders, industries, and mediums without losing its soul. From redefining global branding campaigns to reimagining gallery spaces a interactive canvas, he continues to push the boundaries of what manga-inspired art can achieve. As Bright himself reminds us, true artistry isn’t about likes or fleeting trends, but about the lifelong journey of creation. With October’s mysterious new project on the horizon, fans around the globe have every reason to stay excited: Acky Bright is just getting started.
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Anime Expo 2025 hosted a special SANDA panel and world premiere event featuring Paru Itagaki’s newest series, SANDA, the unconventional Santa Claus action story from the creator of BEASTARS. The panel took place on July 4, 2025, in Los Angeles, treating fans to exclusive first looks and insights into the upcoming anime adaptation.
With a packed room buzzing with anticipation, BEASTARS creator Paru Itagaki unveiled the world’s first look at her latest creation—SANDA, a wild holiday-infused action mystery that blends Santa Claus lore, social satire, and school mayhem into one unforgettably absurd adventure. The Anime Expo panel delivered more than just a screening: it gave fans a deep-dive into the making of the anime, never-before-seen visuals, heartfelt commentary from the creators, and even an exclusive themed souvenir. And yes, Paru Itagaki wore the chicken mask.
About SANDA
Set in a dystopian near-future Japan where children are protected to the point of imprisonment and birthrates have plummeted, SANDA follows a mild-mannered boy named Kazushige Sanda—until he discovers he may be the heir to an ancient Santa Claus lineage. What unfolds from there is part superhero origin story, part social commentary, and all kinds of chaotic.
The manga originally ran for 16 volumes, finishing in 2024. The anime adaptation, produced by the ever-stylish Science SARU, is set to premiere October 3, 2025.
Panel Highlights: Premiere, Guests, and Santa-Fueled Chaos
The Anime Expo panel kicked off with a full screening of Episode 1, making it the official world premiere of the SANDA anime. Roaring laughter, scattered gasps, and some of the most engaged audience reactions we’ve seen all AX weekend.
Following the screening, attendees were treated to a live talk session featuring:
Paru Itagaki (creator of SANDA, in her signature chicken mask)
Tomohisa Shimoyama (director, YUREI DECO)
Kōhei Sakita (producer, Science SARU)
Together, the trio offered insight into the creative process behind the show—everything from designing explosive Santa transformations to capturing Itagaki’s signature mix of humor and emotional depth.
“It’s completely ridiculous,” Itagaki joked, “but that’s kind of the point.”
Director Shimoyama revealed that nailing the tone was the biggest challenge, SANDA had to be funny without undercutting its mystery, and heartfelt without losing its absurdity.
“We approached Santa not just as a myth,” Shimoyama explained, “but as a symbol of lost wonder—and also as a total unit in a red suit.”
From the Panel: The Cast
During the panel, fans were also introduced to the anime’s main voice cast, Ayumu Murase as Kazushige Sanda, Hiroki Tōchi as Santa Claus featuring Umeka Shōji, Anna Nagase, Yūki Shin and Misato Matsuoka in undisclosed roles.
The series is scripted by Kimiko Ueno (known for Space Dandy), with character designs by Masamichi Ishiyama, and music by Tomoyuki Tanaka. Science SARU’s animation style—equal parts kinetic and offbeat—suits SANDA’s unpredictable tone.
If you thought a Santa-themed anime would be tame, think again. The world of SANDA is packed with dark satire, sci-fi overtones, and commentary on Japan’s social systems, particularly the pressure on youth and declining birthrate. But at its heart, it’s still a coming-of-age story gifted wrapped with a tinsel bow.
In one of the most talked-about sequences from the premiere, Sanda’s slim, meak body undergoes a Hulk-like transformation into a buff, Alpha bearded Santa—complete with dramatic sakuga overtones, blaring jingle bells, and enough flexing to break the sleigh.
And yet, amid all the madness, there’s sincerity. The panel made it clear that this isn’t just parody: SANDA is about identity, responsibility, and the idea of growing up in a world that treats children like porcelain.
Manga English Release
During the panel, it was announced that SANDA will be published in English by Titan Manga, starting with Volume 1 on September 2, 2025, followed by Volume 2 on November 18, 2025. Pre-orders are open, and AX attendees were encouraged to dive into the manga for deeper context and character arcs.
Itagaki noted that while she’s not involved in every episode of the anime, she’s thrilled to see the anime team “taking her weird little story and running wild with it.”
Panel Swag
Attendees of the panel didn’t leave empty-handed—they received an exclusive SANDA-themed tenugui towel featuring art from the series and the show’s logo.
During the fan Q&A, one bold attendee asked if there were any BEASTARS Easter eggs hidden in the anime. Itagaki, under the mask, simply said:
“Let’s just say… they share DNA. Literally? You’ll have to watch to find out.”
“Santa Claus Is Coming to Town”
The SANDA panel proves Paru Itagaki is still one of the most original minds in manga today. With its absurd and fun premise, slick animation, and genuine emotional undercurrents, SANDA is shaping up to be the surprise hit of Fall 2025. Whether you’re a BEASTARS devotee, a holiday chaos connoisseur, or just someone who thinks Santa should have six-pack abs, SANDA is the anime gift you didn’t know you needed.
Catch it when it premieres October 3, 2025. And don’t forget to read the manga!
For more interviews and coverage from Anime Expo 2025, follow The Kitsune Network.
Japanese audio brand AVIOT, operated by Preseed Japan Corporation, has officially launched its 2025 Spring/Summer Promo Tour with appearances scheduled at five major anime conventions throughout North America. Known for combining cutting-edge technology with fan-favorite characters, AVIOT will showcase and sell its unique line of character voice earbuds and exclusive collaboration merchandise during this promotional run.
Following appearances at Sakura-Con and Anime Boston earlier this year, the tour will continue with stops at OffKai Expo (June 19–21), Anime Expo (July 3–6), and Anime NYC (August 23–25). Fans attending these events will have a chance to explore AVIOT’s character voice earbuds—high-performance wireless earbuds featuring custom voice recordings, thematic artwork, and immersive audio tuning inspired by popular anime, games, and VTubers.
Each earbud model offers voice prompts voiced by the featured characters, including exclusive lines only available through the “Random Voice” function. Some models come equipped with multiple voice modes that can be toggled through a companion app, enhancing replayability and personal customization. In addition to fan-centric features, AVIOT earbuds include high-end specs such as active noise cancellation, long battery life, and premium sound quality. Many collaboration models are based on AVIOT’s award-winning TE-V1R, praised for its performance and design.
At each convention stop, AVIOT will host interactive booth displays with product demos, limited-run merchandise, and previews of upcoming collaborations currently open for pre-order. Supplies are limited, and product availability may vary at each event.
Frontier Works Inc. has announced an exclusive collaboration that merges the world of virtual pop idol Hatsune Miku and the Tokyo National Museum’s cultural preservation efforts. Titled the “Hatsune Miku × Tokyo National Museum Cultural Property Conservation Program,” this unique initiative brings limited-edition merchandise to North America and will be showcased at Anime Expo 2025 in Los Angeles.
Running from July 3 to July 6 at the Los Angeles Convention Center, Anime Expo attendees can experience the exhibit at the animate GROUP booth (South Hall, SH-504), where Frontier Works will display the collaborative collection. Exclusive ticket-style cards will be distributed only at the venue, and merchandise will be available for purchase on-site. Sample items from the made-to-order collection will also be on display.
This collaboration features Hatsune Miku, Kagamine Rin, and Kagamine Len reimagined through the lens of iconic Japanese cultural artifacts. Among the most anticipated items are those inspired by the Important Cultural Property “Robe (Kosode) with Autumn Flowers,” affectionately nicknamed “Fuyuki Kosode.” This includes “Fuyuki Kosode Miku,” developed as part of the Korin Kimono Restoration Project.
Other featured characters include “Beauty Looking Back Miku,” and new renditions such as “Haniwa: Warrior in ‘Keikō’ Armor Miku” and “Haniwa: Dancing People Rin & Len,” created for the “Dancing Haniwa & Beauty Looking Back Conservation Project.”
The collaborative goods will be available for pre-order beginning June 16, 2025 (PDT), exclusively through the animate USA Online Shop. The pre-order period will run until July 20, 2025. A portion of all sales will be donated to the Tokyo National Museum to support the conservation of cultural properties.
This project is a joint initiative between Crypton Future Media, the Tokyo National Museum, and the National Center for the Promotion of Cultural Properties.
Merchandise Highlights Include:
Fuyuki Kosode Miku Tenugui, Poster, Postcard, and Big Acrylic Stand
Beauty Looking Back Miku Tote Bag, Mouse Pad, Clear File, Acrylic Keychains, and Can Badges
Haniwa Series Acrylic Stands, Postcards, Stickers, and Mascot-themed Goods
TV TOKYO has officially announced the world premiere of its newest Gintama anime spin-off, GINTAMA – Mr. Ginpachi’s Zany Class, set to debut at Anime Expo 2025. The event will take place on Saturday, July 5, 2025, from 3:30 PM to 4:20 PM PDT in Panel Room 408AB at the Los Angeles Convention Center. This highly anticipated panel will give fans the first chance to watch a full episode of the new comedy series, along with exclusive behind-the-scenes insights and special messages from the voice cast.
Based on the Gintama spin-off novel 3-nen Z-gumi Ginpachi-sensei, the new anime reimagines the eccentric Gintoki Sakata as a chaotic high school teacher. Alongside his equally bizarre students, Ginpachi delivers life lessons in the most absurd and unpredictable ways, channeling the same brand of humor that made the original Gintama series a cult favorite.
The premiere panel promises to be more than just a screening. Fans can expect a video message from the beloved Odd Jobs trio: Gintoki (Tomokazu Sugita), Shinpachi (Daisuke Sakaguchi), and Kagura (Rie Kugimiya). In addition, attendees will get a look behind the curtain at the anime’s creative development and will be the first to see brand-new Gintama merchandise reveals. There will also be giveaways and quizzes during the panel, giving lucky fans the chance to win exclusive Gintama goods.
Panel Information Title: [WORLD PREMIERE] GINTAMA – Mr. Ginpachi’s Zany Class Date: Saturday, July 5, 2025 Time: 3:30 PM to 4:20 PM PDT Location: Panel Room 408AB at Los Angeles Convention Center
“We are incredibly proud to bring the world premiere of ‘GINTAMA – Mr. Ginpachi’s Zany Class’ to Anime Expo 2025, a premier event for anime enthusiasts,” said Makoto Hijikata, Producer at TV TOKYO. “This spin-off offers a fresh and hilarious take on the beloved Gintama world, and we eagerly anticipate sharing it with fans for the very first time.”
GINTAMA – Mr. Ginpachi’s Zany Class continues the series’ legacy of irreverent comedy and sharp social commentary, this time within the halls of a high school run by the ever-chaotic Ginpachi-sensei. The series is expected to deliver the same unpredictable antics and genre-bending humor that defined the original franchise.
Anime Expo 2025 runs from July 3 to 6 at the Los Angeles Convention Center. For tickets and full programming details, visit www.anime-expo.org.
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Paru Itagaki, the acclaimed creator of BEASTARS, returns with a bold and offbeat new anime titled SANDA, an unconventional Santa Claus action series adapted from her original manga. Produced by Science SARU (DAN DA DAN, Scott Pilgrim Takes Off), SANDA is set in a dystopian near-future Japan where extreme child protection laws exist to combat a super-declining birthrate. The TV anime will premiere in Japan on October 3, 2025, with a world premiere event scheduled for Anime Expo 2025 in Los Angeles.
Anime Expo 2025 will host the global debut of SANDA on July 4 at the JW Marriott’s Platinum Ballroom. The special event will include a screening of the anime’s first episode, a live drawing session with Paru Itagaki, scene commentary, a Q&A with the creative team, and a guest message from lead voice actor Ayumu Murase, who plays the title role. Attendees will also receive an exclusive SANDA-themed towel.
Joining Itagaki at the event are director Tomohisa Shimoyama and producer Kohei Sakita of Science SARU. The anime’s storyline follows protagonist Kazushige Sanda, a boy living in a society where children are scarce, and Santa Claus has become a hidden, sealed-away figure. Sanda’s journey begins when his connection to Santa is awakened in a world that has forgotten him.
The second teaser PV for the series has also been released, introducing a cast of Sanda’s classmates at Daikoku Welfare Academy. In a world dominated by overprotection and state-mandated adult responsibilities, the trailer raises key questions: how is Santa Claus perceived in an age without children, and what role will Sanda play in uncovering buried truths?
The new cast includes Umeka Shoji as Shiori Fuyumura, a towering classmate who seeks Sanda’s help to rescue her missing friend. Anna Nagase voices Ichie Ono, the vanished best friend at the center of the mystery. Yuuki Shin plays Hitoshi Amaya, Sanda’s enigmatic roommate, and Misato Matsuoka voices Nico Kazao, Sanda’s government-assigned fiancée.
Cast Comments
Shiori Fuyumura (Voiced by Umeka Shoji) –
A 14-year-old classmate of Sanda who stands over 182 cm tall. She seeks help from Santa Claus to find her friend Ono, who suddenly went missing. To break the curse and revive the sealed Santa, she threatens Sanda with a deadly blade.
How did you feel when you were cast as Fuyumura in SANDA? And what message do you have for fans looking forward to the series?
Meeting Shiori Fuyumura during the audition was such a powerful experience that it feels like she’s become a constant presence in my life. I poured everything I have into this role. I’d be thrilled if SANDA reaches a wide audience.
Since this is an action series featuring Santa Claus, is there anything you’d want to ask him for?
A liver so strong that it can handle any alcohol.
Ichie Ono (Voiced by Anna Nagase) –
A classmate of Sanda and best friend of Fuyumura. She suddenly disappeared from their class, and her whereabouts remain unknown. The school considers her dead, but Fuyumura is determined to search for her with Santa Claus’ help.
How did you feel when you were cast as Ono in SANDA? And what message do you have for fans looking forward to the series?
Ono was a role that really challenged me. I struggled a lot while developing the character, and I constantly felt a sense of anxiety and tightness in my chest. I hope that feeling comes through in Ono’s portrayal. Please look forward to the broadcast!
Since this is an action series featuring Santa Claus, is there anything you’d want to ask him for?
When I was a kid, I was always the one receiving presents, so this time, I’d like to give something back. Maybe I could help out? Like riding in the sleigh with Santa and delivering presents around town! That sounds like fun.
Hitoshi Amaya (Voiced by Yuuki Shin)–
Sanda’s roommate, also known as “Prince Amaya.” He is one of the few who know Santa Claus’ secret and wants him to return to fulfill an important wish.
How did you feel when you were cast as Amaya in SANDA? And what message do you have for fans looking forward to the series?
I’m really excited to be voicing Amaya in SANDA. I enjoyed bringing out his mysterious charm through my performance. This story really makes you reflect on what it means to be an adult. It’s a wonderful series, so please be sure to watch it!
Since this is an action series featuring Santa Claus, is there anything you’d want to ask him for?
I’d love to ask Santa Claus for a Nintendo Switch 2. Even if I don’t get one, just a chance to win the pre-order lottery would be great. I’ve been good, so please! I’d like to play racing games on it!
Nico Kazao (Voiced by Misato Matsuoka) –
Sanda’s fiancée, chosen by the country from birth. She’s a realist who wants to rebel a little before becoming a “responsible adult.” She always acts freely and often swears.
How did you feel when you were cast as Nico in SANDA? And what message do you have for fans looking forward to the series?
When I first learned about Nico, I was deeply captivated by her complete freedom from any constraints. She might be someone who truly understands the preciousness of the present moment. I’m genuinely happy to be able to bring her to life! Please watch as these lovable characters struggle and grow together. I poured my heart into this role and had a great time. Thank you for your support!
Since this is an action series featuring Santa Claus, is there anything you’d want to ask him for?
I love eggplant, so I’d want lots of dishes like deep-fried eggplant soaked in light dashi and mapo eggplant!
SANDA is coming to town!
SANDA blends action, social satire, and coming-of-age drama with a uniquely surreal twist on the Santa Claus mythos. The series is directed by Tomohisa Shimoyama, written by Kimiko Ueno, with music by Tomoyuki Tanaka (FPM) and character designs by Masamichi Ishiyama. Animation is handled by Science SARU.
Broadcast for SANDA begins October 3, 2025. For updates and teaser content, follow the official X account @sanda_anime and visit the official website at sanda.red .
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Baku Kinoshita and Kazuya Konomoto, the acclaimed duo behind the cult hit ODDTAXI, are set to return with a powerful new original anime film, The Last Blossom (Japanese title: HOUSENKA), scheduled to premiere in Japan in Fall 2025. Produced by CLAP Animation Studio, known for their work on Pompo: The Cinephile and The Tunnel to Summer, the Exit of Goodbyes, the film will explore themes of mortality, memory, and the quiet ache of redemption.
The film has already drawn international acclaim, having been selected for the prestigious Feature Film Competition at the Annecy International Animation Film Festival 2025. It previously appeared at Annecy 2024 as a Work in Progress, with director Baku Kinoshita, producer Ryoichiro Matsuo, and concept artist Michinoku Toge offering early insight into the creative vision behind the film.
The story follows Minoru Akutsu, an elderly yakuza serving a life sentence in solitary confinement. Awaiting death in silence, he is suddenly confronted by an unlikely visitor—a talking balsam flower named Housenka. “What a pathetic life,” the flower whispers, prompting Akutsu to revisit the regrets and relationships of his past. As fragments of his life unfold, the film weaves a meditation on lost love, quiet prayers, and the delicate possibility of personal redemption.
The cast features a dual performance for the role of Akutsu. Veteran actor Kaoru Kobayashi voices the elder version of the character, while rising talent Junki Tozuka makes his voice acting debut as the younger Akutsu. Hikari Mitsushima, known for her work across acting, music, and narration, voices Nana Nagata, Akutsu’s former partner. Yoshiko Miyazaki joins the cast in a supporting role, while the enigmatic Housenka is voiced by Pierre Taki, last seen in Netflix’s Tokyo Swindlers.
Creator’s Comments
Baku Kinoshita (Director & Character Design)
The beauty of the blue sky. The brilliance of leaves kissed by sunlight. The quiet meaning behind caring for someone. This film is a reflection on beauty, transience, and the values of happiness—and how these things shape our lives. With a desire to return to the essence of living, I aimed to portray the quiet strength that lies within us as we navigate our ever-changing days. I truly hope this story reaches many people and gently resonates in their hearts.
Kazuya Konomoto (Script / Screenplay)
Even in an unrewarded life, we are free to pray. Whether those prayers will ever be answered—we may never know. But still, I wanted to believe. HOUSENKA is the story of a man who has lost the place he once called home, and the silence that lingers between him and his lover. Into that silence, a single flower quietly blooms, giving rise to words that had long withered away. Before the flower could bloom, there were countless moments of silence—and one quiet, unwavering prayer. I hope that the small certainty born at the end of that long silence and prayer will quietly plant a seed in your heart, too.
The film’s soundtrack is composed by members of the band cero, known for their genre-blending musical style. Shohei Takagi, Yu Arauchi, and Tsubasa Hashimoto bring emotional texture to the narrative with their deeply atmospheric compositions.
@ Anime Expo 2025
Heading to Anime Expo? the creators will host a panel to share exclusive insights into the film’s story and production process. If you’re looking for a first glimpse into the world of The Last Blossom, this is an event you won’t want to miss!
Panel Details:
Where: LACC – Room 404AB
Date: July 4
Time: 4:15 PM – 5:05 PM
Guests: Baku Kinoshita (Director & Character Designer),Ryoichiro Matsuo (Producer),Hirofumi Ito(Producer)
The Last Blossom is a deeply introspective film that promises to resonate with viewers long after the credits roll. With its striking blend of realism, surrealism, and emotional weight, it continues the creative legacy of ODDTAXI while carving out a powerful space of its own.
Visit the official website anime-housenka.com and follow @anime_housenka on X and Instagram for the latest updates.
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The battle is heating up this summer as TOMY Company, Ltd. brings the high-stakes action of BEYBLADE X to Anime Expo 2025! Set to take place on Saturday, July 5, at the Los Angeles Convention Center, the BEYBLADE X National Tournament (U.S. Open Class) will crown the top American blader—who will then go on to represent the U.S. at the BEYBLADE X World Championship 2025 in Japan this October.
Held at Booth E-25 in the Entertainment Hall, the tournament is open to competitors ages 13 and up, with on-site registration available on a first-come, first-served basis until the 128-player cap is reached. So if you’re planning to spin, be sure to get there early!
BEYBLADE X National Tournament (U.S. Open Class)
Date: Saturday, July 5, 2025 Time: 10:00 AM – 5:00 PM PDT Location: Anime Expo, Los Angeles Convention Center Booth: Entertainment Hall – E-25 Entry: Ages 13+ | Register on-site (first 128 participants) More Info:beyblade.com/worldchampionship2025
Winner Moves on to Worlds in Japan
The champion of the U.S. tournament will earn the ultimate honor—a spot at the BEYBLADE X WORLD CHAMPIONSHIP 2025, taking place this fall in Japan, the birthplace of Beyblade. In a statement, Masahiko Yamazaki, TOMY’s Head of Global Beyblade Business, said:
“We are thrilled to hold the tournament in Los Angeles, the entertainment capital of the world, to determine the top blader. Just like in Japan, we’re eagerly looking forward to intense Bey battles in the U.S.”
Adding to the excitement, members of the official Beyblade development team from Japan will be present at Anime Expo to support the tournament and meet with fans.
Free Play Zone, Anime Highlights & Photo Ops!
The BEYBLADE X booth at Anime Expo (open July 3–6) isn’t just for tournament players. Fans of all ages can enjoy:
Free play zones – Bring your own Beyblades or borrow one to try!
Upcoming product previews – See what’s next in the world of BEYBLADE X.
Anime screen loops – Featuring scenes from the TV anime, returning this summer for Season 2 in North America.
Photo spots – Snap a pic with Beyblade-themed backdrops and share your fandom!
BEYBLADE’s Global Comeback
Since launching in 1999, BEYBLADE has become a multigenerational global phenomenon. With the 2023 debut of the BEYBLADE X series—its fourth generation—more than 30 million units have shipped worldwide as of April 2025. In 2024, Beyblade was the #1 property in the battling toys category in over 11 countries, including the U.S.
You can find BEYBLADE products at major retailers like Walmart, Target, Amazon, and GameStop, with more spinning excitement on the way as BEYBLADE X anime Season 2 hits streaming platforms this summer.
For updates on the tournament, anime, and product news, follow:
Ready to let it rip? Then don’t miss your chance to be part of the action this July at Anime Expo 2025—because in BEYBLADE X, every spin could be legendary.
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Summer nights are about to get bloodier—and steamier. AMC Networks’ HIDIVE is turning up the heat this July with the exclusive return of the hit vampire romance Call of the Night for its long-awaited Season 2, premiering as part of the Summer 2025 simulcast lineup.
Adapted from Kotoyama’s award-winning manga, Call of the Night became an instant fan favorite with its atmospheric blend of late-night urban loneliness and electric supernatural chemistry between its lead couple—Ko, a high school insomniac, and Nazuna, the playful, unpredictable vampire who’s anything but your average bloodsucker. Now, the next chapter in their story is ready to unfold.
A Love Story in the Shadows Deepens
Season 2 picks up as Ko finally comes to terms with his feelings—and his fate. Accepting that he wants to become a vampire, Ko confesses he “likes” Nazuna. But Nazuna, still hilariously unfamiliar with the concept of love, responds the only way she knows how: by attempting to make Ko fall for her. Chaos, heartbeats, and late-night escapades ensue.
Meanwhile, Detective Anko Uguisu sharpens her fangs—figuratively speaking. Determined to purge the vampire threat, she sets her sights on Nazuna and others like her. As the story dives deeper, dark truths begin to surface: What is Nazuna’s hidden past? What secret do Anko and Nazuna share? And what happens when a vampire forgets the human life they once lived?
First Look at Anime Expo 2025
Fans heading to Anime Expo 2025 won’t have to wait for the full premiere. HIDIVE is hosting an exclusive Call of the Night Season 2 panel on:
📆 Saturday, July 5, 2025 🕔 5:45–6:35 PM PT 📍 Location: Platinum Ballroom, JW Marriott at L.A. LIVE
The panel will feature a sneak peek at Episode 2 (first half) and a post-screening Q\&A session, giving fans a rare behind-the-scenes look at the characters, themes, and creative decisions that shape this mysterious, nocturnal world.
About the Series
Originally serialized in Weekly Shonen Sunday since 2019, Call of the Night concluded in early 2024 with 200 chapters collected across 20 manga volumes. The manga is available in English via VIZ Media.
Season 2 is helmed by returning director Tomoyuki Itamura (Monogatari Series, Call of the Night S1), written by Michiko Yokote, with character designs by Haruka Sagawa and animation production by LIDENFILMS.
Returning cast includes:
Sora Amamiya as Nazuna Nanakusa
Gen Sato as Ko Yamori
Yumiri Hanamori as Akira Asai
Haruka Tomatsu, Eri Kitamura, Shizuka Ito, and Naomi Ozora round out the ensemble of vampire misfits and nighttime mischief-makers.
New to the Series?
Catch up now—Season 1 is streaming on demand exclusively on HIDIVE. Whether you’re a first-time viewer or a returning fan ready to get bitten all over again, now’s the time to dive in.
Follow HIDIVE on X (Twitter), Facebook, Instagram, and YouTube for more news, trailers, and sneak peeks leading up to Call of the Night‘s second season.
Because when the sun sets… the real love stories begin.
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