Category Archives: Animation is Film Festival

Transforming Manga to Film: Ghost Cat Anzu’s Unique Adaptation

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Fans of the supernatural comedy manga Ghost Cat Anzu are in for a treat with the upcoming animated film adaptation. However, this film isn’t just a direct translation of the manga — it’s taking a bold new approach. While the original manga series charmed readers with lighthearted, comedic antics, the film adds a more adventurous twist to the familiar story of Anzu, the mischievous ghost cat.

Meet The Makers

The film is a collaboration between directors Kuno Yoko and Nobuhiro Yamashita. Kuno Yoko is responsible for the animated segments, while Nobuhiro Yamashita directs the live-action segments used in the rotoscoping process.

Often compared to Aki Kaurismäki, known for his films centering on characters who are usually left alone facing the consequences, Nobuhiro Yamashita is best known for his first 35mm film, Linda Linda Linda (2005), about a group teenagers who form a band to cover songs by the Japanese punk rock band the Blue Hearts. The film was a popular success that brought him squarely into the realm of commercial cinema.

Kuno Yoko is a talented animator and manga creator recognized both nationally and internationally. She began creating manga in high school, and her debut publication, The Horn and Love of Yuiko Amagi (2017), won second prize for debut works at the Japan Media Arts Festival, where she also became the first artist to win two First Work prizes in different categories.

Credit: John Salangsang for AIF

She was a rotoscoping animation director known for her work on Shunji Iwai’s The Case of Hana and Alice (2015) and for directing the opening film for the puppet show Gara Piko Pu in 2016. She also worked as a character designer for Shiriri in Alien Shiriri from the Crayon Shin-chan series, created animations for Crayon Shin-chan: Kung-fu Boys Ramen Scrimmage in 2017, and directed episodes of Houseki no Kuni / Age of Crystals, earning significant international recognition. Ghost Cat Anzu marks her feature film directorial debut.

Rotoscoping Ghost Cat Anzu

The film is stands out from most anime films as the production team used a technique called rotoscoping. Rotoscoping involves artists tracing over live-action footage, one frame at a time, to make the animations look more realistic.

This method helps animators capture lifelike movements and is often used to blend animated characters with live-action scenes. While time-consuming, rotoscoping is great for creating detailed, realistic animations.

As you watch the film, you can hear the actors’ voices as if they were recorded along with the live-action scenes, and that’s because they were! The characters’ voices were captured on-site, which enhances the authenticity of the film’s sound design. This blend of live-action and animation creates a unique viewing experience, with real locations being animated over to create a surreal effect.

INTERVIEW

We had the pleasure to briefly speak with director Kuno Yoko and producer Keiichi Kondo at this year’s Animation Is Film Festival,

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From Manga to Film: What’s Changed?

©Takashi Imashiro, Kodansha / Bakeneko Anzu-chan Production Committee

The Ghost Cat Anzu manga is loved for its fun, slice-of-life style, revolving around Anzu, a mischievous bakeneko (ghost cat), and the residents of his town. The lighthearted interactions between characters are shown with simple and defined artwork, where humor and charm come from Anzu’s everyday situations. The manga focuses on episodic stories instead of one continuous plot. But the film takes the story in a different direction…

A New Setting and Main Character

©Takashi Imashiro, Kodansha / Bakeneko Anzu-chan Production Committee

The film diverges from the manga by focusing on a complete, full adventure with Aznu and a new character, Karin, a precocious tween who unexpectedly moves to rural Japan to live with her grandfather.

Karin’s distrust of Anzu becomes a central theme in the movie, which contrasts with the lighter and more comedic tone of the manga. Karin actively resists Anzu’s attempts to help her, giving the film a more rebellious and adventurous feel. It’s essential to highlight that the film incorporates various short stories from the manga, adding Karin to the mix while significantly altering other pivotal characters like Anzu’s “mother” and Tetsuya.

According to directors Kuno Yoko and Nobuhiro Yamashita,

In the original work, Anzu is a ghost cat living with a monk in a temple. Unlike the typical expectations associated with ghost cats, which are supposed to surprise and scare people, Anzu behaves like an idle old man: he aimlessly sleeps, works part-time as a massage therapist, and is seen urinating in front of the temple. To present Anzu in a more appealing light, the film required a character to contrast with him. This is how we introduced the original character of Karin into the film, a girl as difficult to deal with as Anzu.

– Via Press Release

What Fans Can Expect from the Film

The film promises a blend of comedy, action, and emotional depth, with Karin and Anzu having to face the demonic consequences of Karin’s impulsive and rebellious actions. Fans can expect intense action scenes and dramatic tension that weren’t present in the manga while still holding onto the comedic elements that make Ghost Cat Anzu beloved.

©Takashi Imashiro, Kodansha / Bakeneko Anzu-chan Production Committee

Fans of the original manga will observe significant shifts in the tone, character dynamics, and stakes of the story. While the manga presents a relaxed, slice-of-life narrative, the film elevates the emotional stakes, infuses dramatic action, and establishes a more compelling plot arc. Despite these transformations, the film preserves the essence of Ghost Cat Anzu by maintaining its comedic core.

That being said, the film faces challenges with narrative coherence and structure; for a runtime of 97 minutes, the film would have been better as short film. However, for fans of the manga the film delivers a cinematic interpretation that skillfully balances humor, adventure, and emotional resonance. This new adaptation presents an innovative perspective on Ghost Cat Anzu, providing an enjoyable experience for both dedicated fans and those new to the series.

©Takashi Imashiro, Kodansha / Bakeneko Anzu-chan Production Committee

Prepare for a unique, supernatural adventure like never before when Ghost Cat Anzu hits theaters on November 15th!

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Blue Eye Samurai Premieres at AIFF 2023 | NETFLIX

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Blue Eye Samurai, created by Micheal Green & Amber Nozumi, is a captivating story set in Edo-period Japan. The series revolves around Mizu, a skilled swordmaster of mixed race, as she navigates a life shrouded in disguise and driven by the pursuit of revenge. Voiced by Maya Erskine, Mizu’s character combines determination, grace, and a deep understanding of the art of the sword. As the plot unfolds, viewers are transported to a world filled with animated intrigue, complex relationships, and epic battles. Blue Eye Samurai offers a unique blend of historical fiction, action, and personal growth, making it a thrilling and immersive watch.

Micheal Green, known for his exceptional storytelling, has previously worked on acclaimed projects such as Logan, Blade Runner 2049, Murder on the Orient Express, and, most recently, A Haunting in Venice. With his unique ability to craft compelling narratives, Green, along with Nozumi, brings their expertise to Blue Eye Samurai, creating a world that will captivate viewers.

Photo Credit, John Salangsang for AIF

Jane Wu, the visionary director behind the series, is renowned for her work as a storyboard artist. Her impressive portfolio includes notable projects such as Mulan (2020), Star Trek Beyond (2016), and Guardians of the Galaxy (2014). In addition, Wu has also contributed her talents to beloved animated series such as The Men In Black, Jackie Chan Adventures, and Godzilla. With Blue Eye Samurai, Wu marks her return to animation, allowing her to showcase her exceptional skills and breathe life into this thrilling series. Together, this series is set to transport audiences to a world of adventure, mystery, intrigue, and a bloody good time.

Photo Credit, John Salangsang for AIF

The first episode of the series premiered at this year’s Animation Is Film Festival at the TLC Chinese Theater in Hollywood. Despite the grandeur of the red carpet, the absence of acting talent served as a constant reminder of the ongoing SAG-AFTRA strike. However, the series director, Jane Wu, and the series creators, Michael Green and Amber Nozmi, were present at the event. Their presence signified their commitment to the project, even amid industry challenges.

In recent years, we have witnessed the emergence of a new wave of iconic adult animation that ventures beyond the confines of the typical comedy genre. These adult animated series delve into dramatic stories and explore complex themes. While there have been many notable examples from the East, such as Satoshi Ton’s groundbreaking 1997 film Perfect Blue, let’s focus on Western adult animation.

When we think of adult animation in the Western context, the first shows that come to mind are often comedies such as Family Guy or even irreverent black comedies like Sausage Party. However, there is a growing movement within the industry to redefine and push the boundaries of what we understand as “Western adult animation”.

Enter Blue Eye Samurai, a captivating series that aims to challenge the conventions of adult animation in the West. Both the series director and creators are dedicated to redefining the genre, striving to provide a unique and thought-provoking viewing experience. By combining elements of action, drama, and nuanced storytelling, Blue Eye Samurai offers a fresh perspective on the potential of adult animation.

As adult animation continues to evolve, it is exciting to witness the birth of groundbreaking shows like Blue Eye Samurai, which challenge the traditional boundaries of the genre and push the art form to new heights. If you enjoy films such as Kill Bill and episodic storytelling such as Arcane, you’ll love Blue Eye Samurai!

Don’t miss our exclusive interview with director Jane Wu and series creators Michael Green & Amber Noizumi, discussing their work on Blue Eye Samurai. Join us on the red carpet as director Jane Wu shares her insights into the series, followed by creators Michael Green & Amber Noizumi revealing the inspiration behind BLUE EYE SAMURAI.

Add BLUE EYE SAMURAI to your queue & remember to watch on November 3rd!

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